Sophie Clément
1943 (82 года)
Des fleurs sur la neige
Jean Lepage
Céline Dion, Han Masson
Beaten and live an unimaginably difficult childhood, Elisa Trudel and her sister Madeline Trudel still have hope in their heart. Beaten both by their heartless mother. Their mother that this remarried with another man after their father died of a heart attack. Day after day, Elisa and Madeline overcomes the challenges and they discovers the key to be happy, is love. Based on a true story happened in the 70s.
Des fleurs sur la neige
Françoise Durocher, Waitress
André Brassard
Monique Mercure, Sophie Clément
Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.
Françoise Durocher, Waitress
Il était une fois dans l'Est
André Brassard
Denise Filiatrault, Michelle Rossignol
Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.
Once Upon a Time in the East
Le cirque
Nicolas Brault
Sophie Clément, Josée Lefebvre
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
The Circus
Le rire
Martin Laroche
Léane Labrèche-Dor, Micheline Lanctôt
As a civil war shakes the Quebec province of Canada, Valerie is the sole survivor of a mass execution where her boyfriend is killed. Years later, she’s in a close relationship with her new partner, Gabriel. At the Long Term Care Center where she works as an orderly, she befriends Jeanne, an erudite and funny woman, dealing with an important physical handicap. Mixing realism and worrying strangeness, The Laugh presents a humane exploration of the survivor’s syndrome, the grieving process, the distance of time, the power of love, and the joy of being alive.
Laughter
Les Salopes ou le sucre naturel de la peau
Renée Beaulieu
Brigitte Poupart, Louise Portal
Revealing women, showing men Dermatology professor Marie-Claire is embarking on a new project linking skin cells and sexuality, when unexpected events disrupt her professional, family and intimate life.
The Natural Sweetness of Skin
Discussions in Bioethics: A Chronic Problem
Cynthia Scott
Sophie Clément, Lorena Gale
One of a series of short, open-ended dramas designed to stimulate discussion of values and ethics in relation to modern medical technology. This film considers the chronic patient's right to quality care, and the acutely ill patient's right to a hospital bed. Jean is suffering from multiple sclerosis and is almost completely paralyzed. It seems that the only ones who care about her are the nurses. With the arrival of a patient in need of an operation, it becomes apparent that chronic patients have little priority.
Discussions in Bioethics: A Chronic Problem
