
Amane Okayama
1994 (31 год)He made his acting debut in the long-running TV anthology series Chūgakusei nikki in 2009, after winning a national audition to play the lead in the first episode centered on a transfer student from outside Nagoya prefecture, titled Shōnen wa ten no oto o kiku. He went on to have several successes in films and television series in 2011, appearing in the films Happy Together –All About My Dog– and A Liar and a Broken Girl, and in the Fuji TV dramas Taisetsu na koto wa subete kimi ga oshietekureta and Hanazakari no kimitachi e ~Ikemen☆Paradise~ 2011.
Okayama's hobbies are painting, singing, and hip-hop dancing.
BLUE GIANT
Yuzuru Tachikawa
Shotaro Mamiya, Amane Okayama
Dai Miyamoto's life is turned upside down the day he discovers jazz. A former high school basketball player, Dai picks up a saxophone and begins practicing day and night, determined to become one of the greatest of all time. He leaves his sleepy hometown for the bustling nightclubs of Tokyo, but soon finds the life of a professional musician is not for the faint of heart. His passion eventually wins over the cocky but talented pianist Yukinori, and after Dai convinces his friend Shunji to learn the drums, they launch a new jazz trio whose rough sound contains a raw energy that quickly wins attention from local audiences. But what does it take to truly be great?
Blue Giant
インターミッション
Naofumi Higuchi
Kumiko Akiyoshi, Bin Furuya
A unique black comedy set in Ginza Cinepathos, a long-established movie theater that closes at the end of March 2013 while being familiar to movie fans with its retro appearance and unique lineup. Unique guests visiting the theater draw a human pattern during breaks.
The Intermission
セトウツミ
Tatsushi Ōmori
Sosuke Ikematsu, Masaki Suda
Utsumi and Seto's daily routine is to spend their afterschool hours just jabbering with one another along a riverbed. Getting excited over trivial word play, agonizing over the content of an email to be sent to a girl, and, at times, talking about a serious problem, the two endlessly engage in meaningless idle talk as if it were meaningful.
Seto and Utsumi
パーフェクト・レボリューション
Junpei Matsumoto
Lily Franky, Nana Seino
Kuma is an author, a sex obsessive and a wheelchair user. Beautiful and volatile Ryoko is unlike anybody he’s ever met before. She barrages into one of his lectures, demanding to know why he only talks of sex, not love, before declaring her own affection. It’s the first of many inappropriate acts by Ryoko and the start of a relationship that is by turns sweet, strange and toxic. Ryoko hopes that she and Kuma’s love can change the world. What she fails to realise is that sometimes it’s the small gestures, not the grand ones, that feel most revolutionary.
Perfect Revolution
黒崎くんの言いなりになんてならない
Hayato Kawai
Kento Nakajima, Nana Komatsu
Yu Akahane moves to a dormitory room after her father's transfer from work. She is excited that she will live in the same dorm as Takumi Shirakawa aka "White Prince." Yet, Haruto Kurosaki aka "Black Devil" kisses her as punishment for going against him. It is Yu Akahane’s first kiss. Since then, she becomes obedient to Haruto Kurosaki.
The Black Devil and the White Prince
麦子さんと
Keisuke Yoshida
Maki Horikita, Ryuhei Matsuda
It isn't easy to find a dream to chase when you're young, but Mugiko has one: she can't wait to become an anime voice actress. Saving up for classes while she works part time in a manga store, she lives with her older, gambler brother after her father's death. When the mother she never knew turns up out of nowhere and moves in, it only causes irritation for the aspiring otaku. But when her mother just as quickly disappears, it leaves Mugiko (or "Sweet Pea") searching for answers, bringing her back to her mother's hometown to discover what happened to her mother's own dream.
My Little Sweet Pea
Our Meal for Tomorrow
Masahide Ichii
Yuto Nakajima, Yuko Araki
A 7 year love story between Ryota Hayama and Koharu Uemura from their first date to eventual marriage. Ryota and Koharu are high school students. Ryota is indifferent to people and says very little. Koharu is not afraid of to speak her mind and she has a bright personality. Since a game of rice bag jump, they begin to date. They date at a fast-food restaurant, realize they love each other at a family restaurant and finally swear their love on a dining table with white rice.
Our Meal for Tomorrow
空飛ぶタイヤ
Katsuhide Motoki
Tomoya Nagase, Dean Fujioka
A woman was killed by a truck wheel, which flew off while the vehicle was in motion. As the freight company which owns the truck becomes the target of the public and the media’s wrath, Tokuro Akamatsu, the president of the freight company, realizes that a structural defect within the truck itself may have been to blame. A conspiracy of the wheel manufacturer's attempts to cover up a defective product is uncovered.
Recall
おらおらでひとりいぐも
Shūichi Okita
Yūko Tanaka, Yu Aoi
In 1964, Momoko came by herself to Tokyo from her hometown. She met Shūzō and married him. They raised two children together, but Shūzō suddenly passes away. Momoko is dumbfounded by being alone again. She begins to go to the library and borrows books. This changes her life.
Ora, Ora Be Goin' Alone
神さまの轍 -CHECKPOINT OF THE LIFE-
Yu Sakudo
Atsushi Arai, Amane Okayama
Set around Ide, Kyoto Prefecture, Japan, Sasaoka Yuri and Ogawa Yosuke have been friends since they were children. They are crazed about bicycling. The two grow up through interacting with people in town.
Checkpoint of the Life
ポエトリーエンジェル
Toshimitsu Iizuka
Amane Okayama, Rena Takeda
After Tsutomu Tamaki graduated from high school, he has worked at his family farm and raises ume (plum). He becomes interested in a class for “poetry boxing” and decides to take the class. There, he meets a female high school student who has her own problem.
Poetry Angel
新聞記者
Michihito Fujii
Tori Matsuzaka, Shim Eun-kyung
It is the job of the press to cover corporate crime, government plots and society. It is in this context that young female reporter on the beat Erika rolls up her sleeves and goes to work regarding what seems to be a government cover up. She is dealing with a government bureaucrat called Sugihara. It seems as if a clash is inevitable.
The Journalist
オズランド 笑顔の魔法おしえます
Takafumi Hatano
Haru, Hidetoshi Nishijima
Kurumi is hired at a high-end hotel, but is instead dispatched to work at fun fair that is connected to the business network. The new work is out in the country and there is not much else to do or places to go. The go-to employee is one Yoshiko. Kurumi wants to be successful and valued and is eager to learn from Yoshiko. All is not as it seems on the surface however.
Oz Land