Fabrice Aragno
1970 (54 года)Film catastrophe
Paul Grivas
Jean-Luc Godard, Fabrice Aragno
In 2010, Godard's Film Socialisme explores the sinking of political ideals in Europe. In 2012, the Costa Concordia, which had served as an allegorical platform for Godard, sank in front of the cameras of passengers and the world. In 2018, Paul Grivas Film Catastrophe, looks at images of the disaster to revisit the film factory
Film catastrophe
The Bridges of Sarajevo
Marc Recha, Cristi Puiu
Bogdan Ninković, Feđa Stamenković
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
The Bridges of Sarajevo
Lakeside Suite
Fabrice Aragno
Clotilde Courau, Bernard Stamm
Shot entirely from a boat on a lake, this evocative film confronts the viewer resolutely with his or her sensitivity for the moment. Surrounded by sounds of animal life, both from the lake and the neighbouring forests, this film takes us through the seasons. Sounds of water, the wind and a human presence.
Lakeside Suite
Dimanche
Fabrice Aragno
Nathalie Sandoz, Roberto Molo
On a road like any other, returning from a weekend, a couple separate. Patricia decides to take advantage of a lengthy delay at a border crossing for a brief moment of escape. A breath of fresh air. With this short graduation film, Aragno was immediately selected for the Cannes festival.
Dimanche
Pris dans le tourbillon
Fabrice Aragno
“Tell me that story again." "Story? What story, honey?” This playful montage film focuses on the motif of the hat to take us on a short excursion through classic film history. At once, it is also the self-portrait of a cinephile and all that he keeps under his hat: a desire for love, passion, romance.
Locked in the Whirlwind
Quod Erat Demonstrandum
Fabrice Aragno
Jean-Luc Godard
A collaborator since 2002 (Notre Musique), Fabrice Aragno did not want to make a documentary ‘on’ but ‘with’ Jean-Luc Godard. The latter decided on a mathematical approach. The TV station asked for 26 minutes, and so Godard suggested they make 26 one-minute sequences, and have 4 shots in each sequence, all recycled from his work.
Quod Erat Demonstrandum
La Marmite
Fabrice Aragno
La Marmite is a project of artistic, cultural and civic action and a nomadic popular university of culture.” (Mathieu Menghini) In this context, Fabrice Aragno captured a multimedia installation composed of objects, images and sounds , for the Char Group, whose participants come from the Association Solidarité Femmes Genève.
La Marmite
Promenade dans Le gai savoir
Fabrice Aragno
Godard still edits on analogue equipment. If he needs to insert an extra scene, he applies a double exposure. Aragno pushes this strategy to its limits and applies it to Godard’s original Le gai savoir (1969). The subject remains the same: a dialogue about the degradation of the French language under the capitalist system.
Promenade dans Le gai savoir
Petit Cheminement Dans L'Eclipse
Fabrice Aragno
Antonionis L’Eclisse as a room installation. The camera, mounted on a model railroad, passes through a dark landscape of screens. The images, showing Monica Vitti, all sprawling into the room and on the surfaces, undermining illusionist effects in this “cinema hall”. Originally made for the Locarno Film Festival's Movie of My Life competition.
Little Trip in the Eclipse
