Juana Mansó
2021La vida en un hilo
Edgar Neville
Conchita Montes, Rafael Durán
After burying his late husband, a young widow leaves his provincial life and heads to the city. It was a very hard stage in her life, and she had to bear it with resignation, but now she's willing to make up for lost time. On the way to the city, she meets a fortune teller who will talk to her about the decisions she made or could have made.
La vida en un hilo
El clavo
Rafael Gil
Amparo Rivelles, Rafael Durán
Spain, late 19th century. Judge Javier Zarco finds in a cemetery a skull pierced by a nail and suspects that a murder has been committed. When he investigates the case in depth, his suspicions fall on the woman who was going to marry the deceased.
The Nail
Aurora de esperanza
Antonio Sau Olite
Félix de Pomés, Enriqueta Soler
"Dawn of Hope" (1937) is a film made by Antonio Sau for the anarchist union the CNT and is also one of the most important social films made in Spain. Keep in mind that was filmed at the beginning of the Spanish Civil War, when the revolutionary impulse still held firm. In this respect, tells the story of John, a worker who has just become unemployed, their effort to get a new, impossible to work in a country with more than three million unemployed at the time, as it says in the film. John's wife also takes a humiliating job to feed their children. Outraged by this and seeing the conformism of the people, John ends up as a social agitator.
Dawn of Hope
Domingo de carnaval
Edgar Neville
Conchita Montes, Guillermo Marín
Madrid, Carnival Sunday. A night watchman finds the body of a woman, a rich and greedy moneylender who has apparently been murdered. The prime suspect is a watchmaker who owed her a lot of money.
Carnival Sunday
Nada
Edgar Neville
Conchita Montes, Rafael Bardem
Barcelona, in the forties. Young Andrea comes to town to start college in the midst of an oppressive environment and extreme poverty. She's staying at her aunt Angustias, along with other family members. But the quarrels between them are continuous, making evident the open wounds left by the Spanish civil war.
Nothing
Mariona Rebull
José Luis Sáenz de Heredia
José María Seoane, Blanca de Silos
Barcelona, Spain, at the end of the 19th century. Joaquín Rius, a prominent businessman, marries the young Mariona Rebull. Their apparent happiness is overshadowed by the arrival of Ernesto Villar, Joaquín's friend and Mariona's former lover.
Mariona Rebull
