Antero de Oliveira

Padre Cícero

Sérgio Muniz, Paulo Gil Soares

Antero de Oliveira

Brasil Verdade

Paulo Gil Soares, Geraldo Sarno

Pelé, Vicente Feola

In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.

Tempo de Violência

Hugo Kusnet

Tônia Carrero, João Bennio

Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.

Subterrâneos do Futebol

Maurice Capovila

Antero de Oliveira, Pelé

The practices of football in Brazil and the issues surrounding the sport. Press, players as a commodity, the popular passion, the practice on the fields of várzea. The statements of Luiz Carlos de Freitas, a young promise of Palmeiras, and Feola's coach, as well as an interview with Pelé.

A Noiva da Cidade

Alex Viany

Elke Maravilha, Jorge Gomes

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

Cara a Cara

Júlio Bressane

Helena Ignez, Antero de Oliveira

The story of a civil servant who lives with his elderly mother. Falling in love with a corrupt politician's young and rich daughter, he abandons himself to crazy and violent situations.

Em Família

Paulo Porto

Rodolfo Arena, Iracema de Alencar

Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.

Paulicéia Fantástica

João Batista de Andrade, Jean-Claude Bernardet

Paulo César Peréio, Etty Fraser

Documentary wich tries to capture the iconoclastic spirit of the 1922 Week of Modern Art, to tell about the beginning of cinema made in the city of São Paulo.

A Possuída dos Mil Demônios

Carlos Frederico Jordan

Isabella Cerqueira Campos, Antero de Oliveira

"The possessed is a very poor woman, ravaged by delusions and ghosts, until, driven by mysterious voices, she suddenly becomes another person, young, beautiful, insinuating. Her exploits make her the subject of a police chronicle. She seduces teenagers, attacks men, she becomes an insatiable wolf who arouses the wrath of the whole community against her. Revenge is not slow and a group intends to stone her. But she manages to lure her pursuers to a strange place where she faces them in struggle. unequal and wins ". (Extracted from Guide to Movies, 55)

Pedro Bó, o Caçador de Cangaceiros

Mozael Silveira

Joe Lester, Jonathan Philip Lester