Orie Satō
2021看護婦のオヤジがんばる
Seijiro Koyama
Gin Maeda, Orie Satō
“Quit working as a nurse!” “All right, I will!” thus began the married life of Yasuo and Keiko. But the reality is harsh. Keiko even had to work on the first night after her marriage. Ten years later, the married couple is still at it. Yauso tends to the house and their children, while Keiko sacrifices family life for life as an overworked nurse. One day, after Keiko comes home utterly exhausted and dejected from her work, Yasuo makes up his mind and writes a letter of resignation in her place. Upon learning of this, Keiko angrily declares that nursing is what she lives for and she will keep on working. Realising that that is one battle he will never win, Yasuo sends a letter to a newspaper -- “Nurses’ husbands, aren’t you having a hard time? Get together nurses’ husbands. Contact me.” There is a tremendous response. This leads to the formation of many unions of nurses’ husbands throughout the country.
Nurse's Husband
祇園祭
Daisuke Itō, Tetsuya Yamanouchi
Kinnosuke Nakamura, Toshirō Mifune
Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration.
The Day the Sun Rose
化石
Masaki Kobayashi
Shin Saburi, Keiko Kishi
An industrialist is diagnosed with terminal cancer. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned.
The Fossil
