Lloyd Michael Williams
1940 (85 лет)Line of Apogee
Lloyd Michael Williams
Beverly Baum, Charles Braun
Original electronic score by Vladamire Ussachevsky. My works are that of a person who fought the notion that he was gay because, in the time frame of the 50's 60's & 70's anything gay was perverted and evil LINE OF APOGEE is a dream chronicle of 48 minutes in color and black and white shot of 16 mm, with an original electronic score by Valdimir Ussachevshy. Ussachevsky was one of the founders of the form of electronic music at the Columbia-Princeton Electronic Lab at Columbia University in New York City in the 1960s. It took the Grand Prize at the St. Lawrence Film Festival. 'An Extraordinary trip in Sensory Experience.' Wild colorful imagery probing a lifetime of a man's dreams' said Cue magazine 'A sumptuous color film... disturbing but visually beautiful psychological exploration utilizing surrealistic imagery' – Dance Magazine.
Line of Apogee
Ursula
Lloyd Michael Williams
Dorothea Griffin, Calvin Waters
Young Ursula plays in a tree and ruins her fancy dress. Her elderly mother teaches her a cruel lesson about whether things can ever be mended; what Ursula learns about how to behave may not be what her mother intended.
Ursula
Rainbow's Children
Lloyd Michael Williams
In 'Rainbow's Children', Lloyd Williams reveals the dreamer awakening; erotic displacements of dreams are transformed into the erotic realities of life itself – although still poetically suffused with a dream like languor which the filmmaker cannot escape. The texture of flesh, the ambiguity of longing and the colors of psychedelic apotheosis all merge into a languorous ecstasy which Lloyd Williams is adept in translating into the medium of film. All the varieties of film technique: slow motion, multiple-exposure, fast motion, camera in full flight and frozen image, he uses for the revelation of his intense fantasy, whether from dreams or from real-life or from hallucinated contemplation. His work shows that the dreamer is, indeed, awakening into a whole new world of erotic fantasy, muted with desire. If hard core films shock you, the films of Lloyd Williams will caress you." –Charles Boultenhouse
Rainbow's Children
For Life, Against the War
Betty Ferguson, Peggy Lawson
First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.
For Life, Against the War
Two Images for a Computer Piece with an Interlude
Lloyd Michael Williams
Music composed, modified and assembled by Vladimir Ussachevsky at the Columbia-Princeton Electronic Music Laboratory. The complete, extended composition is synchronized with a film by Lloyd Michael Williams, expressly created for the occasion. During the final stages of composition all sound materials were further modified and assembled at the Columbia-Princeton Electronic Music Studio.
Two Images For a Computer Piece (With an Interlude)
