Anita Bartolucci
1949 (76 лет)Vieni avanti cretino
Luciano Salce
Lino Banfi, Franco Bracardi
Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.
Vieni avanti cretino
The Messiah
Roberto Rossellini
Pier Maria Rossi, Mita Ungaro
Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.
The Messiah
Identikit
Giuseppe Patroni Griffi
Elizabeth Taylor, Ian Bannen
Lise, a mentally unbalanced middle-aged woman, travels from her home in London to Rome, Italy where she embarks on a fatal destiny that she had helped to arrange for herself — a premeditated search for someone, anyone, with whom she could form a dangerous liaison.
Identikit
Gradiva
Giorgio Albertazzi
Laura Antonelli, Peter Chatel
After unearthing an ancient bas-relief sculpture of the gradiva or ‘woman who walks’ a young archaeologist begins to dream of the figure eluding him, while also pursuing a mysterious woman who eludes him in his waking life. Based on the novella by Wilhelm Jensen.
Gradiva
