Saodat Ismailova

Aral, Fishing in an Invisible Sea

Saodat Ismailova, Carlos Casas

Jumagul Oltijanov, Tanjer Irsimbetov

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.

Chilla

Saodat Ismailova

Rushana Sadikova, Saodat Rahminova

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

Зухра

Saodat Ismailova

A young woman lies on her deathbed or in a lethargic sleep. It is filled with memories, sensations that can be associated with the destinies of Uzbek women of the 20th century.

Her Five Lives

Saodat Ismailova

Saodat Ismailova looks back at the history of female heroines over nearly a century of Uzbek cinema in order to chart the changing perception of women and the state of the film industry more widely. Commissioned as part of Asian Film Archive’s Monographs, a series of essays on Asian cinema.

Ее право

Saodat Ismailova

Valentina Baranova, Ra Messerer

Her Right is based on original feature films filmed in Uzbekistan from the 1920s to the 1980s and focuses on hujum, a government campaign against the wearing of the burqa in order to emancipate Muslim women.

Заколдованный

Saodat Ismailova

This symbolic and suggestive film is a cinematic letter to an extinct race of tigers, and uses an almost hallucinatory force to conjure up a mythological, Central Asian world of yesterday. The majestic animal speaks to us about the historical changes that led up to its own extinction, but it lives on in the collective imagination of Turkestan as a sacred image of the soul.