Cao Guimarães

Andarilho

Cao Guimarães

Gaúcho, Nercino

Three lonely drifters follow different paths on the roads of northeastern Minas Gerais, Brazil. A film about the connections between walking and thinking, in which the ever-changing nature of things turns life into a place of mere passing.

O Fim do Sem Fim

Beto Magalhães, Cao Guimarães

"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.

Acidente

Cao Guimarães, Pablo Lobato

Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people.

Otto

Cao Guimarães

Otto is a film that accompanies the process of pregnancy of my wife and the birth of my son. Instinctive and visceral as a gesture. Intimate and confident as a filmed diary. A celebration to life, a film of love.

Rua de Mão Dupla

Cao Guimarães

Rafael Soares, Eliane Lacerda

People who didn’t know each other, simultaneously exchanged houses for 24-hours. Each one brought a portable video camera and had total freedom to film whatever they wanted in the home of this stranger during this period. Each participant tried to elaborate a 'mental image' of the "other" while along with their personal objects and their homely universe. At the end of the experience, each one gave a personal report on how theyimagined the “other”. "Two way street" is a project that deals with the reality of the urban individual who lives alone. It is an attempt to disorganize a little bit these realities. Using a video camera the participants insert their personality (through sight perspective) into the personality of someone else that is absent. Solitudes confound themselves at some point in the flow of looking at and being looked at, of absent presence and present absence, and of identification and differentiation.

Ex Isto

Cao Guimarães

João Miguel

Freely inspired by the work Catatau, by Paulo Leminski, the plot begins with the historical hypothesis imagined by the poet from Curitiba: “What if René Descartes had come to Brazil with Maurício de Nassau?” The film materializes this hypothesis and joins the father of modern philosophy in his journey through the tropics. Under the effect of hallucinatory herbs, he investigates questions revolving around geometry and optics in the face of an absolutely strange world. Known for his famous sentence “I think, therefore I am”, Descartes faces his doubt towards phenomena reason doesn’t explain. René, Renatus, Re born.

O homem das multidões

Cao Guimarães, Marcelo Gomes

Paulo André, Sílvia Lourenço

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

Da Janela do Meu Quarto

Cao Guimarães

Two kids fighting outside the window

A Alma do Osso

Cao Guimarães

Domingos Albino Ferreira

“The Soul of the Bone” gradually reveals the apparently isolated existence of Dominguinhos, a 72-year-old hermit who lives inside a cave that juts off from a rock mountain. The film is composed of long silences in which the hermit executes his daily chores, such as cooking and cleaning, and of images that transcend his territory. Towards the end we discover that silence is commonplace in the hermit’s life, the normal state in which time passes. Speech is the state of exception.

Joaquim

Marcelo Gomes

Júlio Machado, Isabél Zuaa

Brazil, 18th century. The colony of Portugal endures a decline in gold production. A Portuguese minority rules over a corrupt and autocratic society. Joaquim is an efficient soldier, famous for capturing gold smugglers. While waiting for his promotion to Lieutenant, he leaves for a risky mission in search of new gold mines - the only way to buy the freedom of Blackie, a slave he is in love with. Inspired by the true story of Tiradentes, the first leader of the Brazilian revolutionary movement.

Elvira Lorelay: Alma de Dragón

Cao Guimarães, Florencia Martínez

Elvira Loreley Alma de Dragón accompanies the life of a Fortune Teller from Uruguay. The contrasts of a milenar labor that deals with the destiny of people, inserted into a contemporary society, in a hurry to obtain answers to everything.

Around the World in a Few Pages

Cao Guimarães, Rivane Neuenschwander

15’00” | DV | Colour | 2002 | Brazil Screening Format: DV Filming Format: Super 8/ DV Original Soundtrack: O Grivo Original Script: Cao Guimarães & Rivane Neuenshwander Directed, Photographed and edited by: Cao Guimarães This film was born in collaboration with artist Rivane Neuenschwander. The action consisted in randomly distributing pieces of a world map inside books standing in the bookshelves of Stockholm’s public library. The possible correlations between any place in the world and a book (or a page in book) are mysteries safeguarded by the destiny of the library’s regular visitors.

Bus

Cao Guimarães

3’00” | DV | Colour | 2002 | Brazil Screening Format: DV Filming Format: Super 8 Directed, Photographed and edited by: Cao Guimarães Collective of people, streets, neighborhoods, names, of buses that lead people through the streets of neighborhoods named after people.

Sin Peso

Cao Guimarães

The air emitted from the chests of multiform voices in the flea markets is not the same air that shakes the multicolored awnings that protect the owners of those same voices from the sun and the rain. Two different weights configure the fragile life balance of the streets in Mexico City.

Nanophany

Cao Guimarães

3’00” | DV | Colour | 2003 | Brazil Screening Format: DV Filming Format: Super 8 Original Soundtrack: O Grivo Directed, Photographed and Edited by: Cao Guimarães Soap bubbles bursting. Flies jumping about. The beating of micro- phenomenon pulsed by a toy piano.

Blow

Cao Guimarães, Rivane Neuenschwander

(2000) 5’30” | DV | P&B | 2000 | Brazil Screening Format: DV Filming Format: Super 8 Photographed and Edited by: Cao Guimarães Directed by: Cao Guimarães e Rivane Neuenschwander "Blow" expresses the relationship between what is inside and what is outside. The multi-formed translucence of a bubble exhibits the world that contains it and is contained by it. The bubble that never bursts is a metaphor of the continuity of things.