Cao Guimarães
1965 (59 лет)Andarilho
Cao Guimarães
Gaúcho, Nercino
Three lonely drifters follow different paths on the roads of northeastern Minas Gerais, Brazil. A film about the connections between walking and thinking, in which the ever-changing nature of things turns life into a place of mere passing.
Drifter
O Fim do Sem Fim
Beto Magalhães, Cao Guimarães
"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.
The End of the Endless
Acidente
Cao Guimarães, Pablo Lobato
Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people.
Accident
Rua de Mão Dupla
Cao Guimarães
Rafael Soares, Eliane Lacerda
People who didn’t know each other, simultaneously exchanged houses for 24-hours. Each one brought a portable video camera and had total freedom to film whatever they wanted in the home of this stranger during this period. Each participant tried to elaborate a 'mental image' of the "other" while along with their personal objects and their homely universe. At the end of the experience, each one gave a personal report on how theyimagined the “other”. "Two way street" is a project that deals with the reality of the urban individual who lives alone. It is an attempt to disorganize a little bit these realities. Using a video camera the participants insert their personality (through sight perspective) into the personality of someone else that is absent. Solitudes confound themselves at some point in the flow of looking at and being looked at, of absent presence and present absence, and of identification and differentiation.
Two Way Street
Ex Isto
Cao Guimarães
João Miguel
Freely inspired by the work Catatau, by Paulo Leminski, the plot begins with the historical hypothesis imagined by the poet from Curitiba: “What if René Descartes had come to Brazil with Maurício de Nassau?” The film materializes this hypothesis and joins the father of modern philosophy in his journey through the tropics. Under the effect of hallucinatory herbs, he investigates questions revolving around geometry and optics in the face of an absolutely strange world. Known for his famous sentence “I think, therefore I am”, Descartes faces his doubt towards phenomena reason doesn’t explain. René, Renatus, Re born.
Ex-It
A Alma do Osso
Cao Guimarães
Domingos Albino Ferreira
“The Soul of the Bone” gradually reveals the apparently isolated existence of Dominguinhos, a 72-year-old hermit who lives inside a cave that juts off from a rock mountain. The film is composed of long silences in which the hermit executes his daily chores, such as cooking and cleaning, and of images that transcend his territory. Towards the end we discover that silence is commonplace in the hermit’s life, the normal state in which time passes. Speech is the state of exception.
The Soul of the Bone
O homem das multidões
Cao Guimarães, Marcelo Gomes
Paulo André, Sílvia Lourenço
Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.
The Man of the Crowd
Joaquim
Marcelo Gomes
Júlio Machado, Isabél Zuaa
Brazil, 18th century. The colony of Portugal endures a decline in gold production. A Portuguese minority rules over a corrupt and autocratic society. Joaquim is an efficient soldier, famous for capturing gold smugglers. While waiting for his promotion to Lieutenant, he leaves for a risky mission in search of new gold mines - the only way to buy the freedom of Blackie, a slave he is in love with. Inspired by the true story of Tiradentes, the first leader of the Brazilian revolutionary movement.
Joaquim
Elvira Lorelay: Alma de Dragón
Cao Guimarães, Florencia Martínez
Elvira Loreley Alma de Dragón accompanies the life of a Fortune Teller from Uruguay. The contrasts of a milenar labor that deals with the destiny of people, inserted into a contemporary society, in a hurry to obtain answers to everything.
Elvira Lorelay: Alma de Dragón
Around the World in a Few Pages
Cao Guimarães, Rivane Neuenschwander
15’00” | DV | Colour | 2002 | Brazil Screening Format: DV Filming Format: Super 8/ DV Original Soundtrack: O Grivo Original Script: Cao Guimarães & Rivane Neuenshwander Directed, Photographed and edited by: Cao Guimarães This film was born in collaboration with artist Rivane Neuenschwander. The action consisted in randomly distributing pieces of a world map inside books standing in the bookshelves of Stockholm’s public library. The possible correlations between any place in the world and a book (or a page in book) are mysteries safeguarded by the destiny of the library’s regular visitors.
Around the World in a Few Pages
Sin Peso
Cao Guimarães
The air emitted from the chests of multiform voices in the flea markets is not the same air that shakes the multicolored awnings that protect the owners of those same voices from the sun and the rain. Two different weights configure the fragile life balance of the streets in Mexico City.
Weightless
Nanophany
Cao Guimarães
3’00” | DV | Colour | 2003 | Brazil Screening Format: DV Filming Format: Super 8 Original Soundtrack: O Grivo Directed, Photographed and Edited by: Cao Guimarães Soap bubbles bursting. Flies jumping about. The beating of micro- phenomenon pulsed by a toy piano.
Nanophany
Blow
Cao Guimarães, Rivane Neuenschwander
(2000) 5’30” | DV | P&B | 2000 | Brazil Screening Format: DV Filming Format: Super 8 Photographed and Edited by: Cao Guimarães Directed by: Cao Guimarães e Rivane Neuenschwander "Blow" expresses the relationship between what is inside and what is outside. The multi-formed translucence of a bubble exhibits the world that contains it and is contained by it. The bubble that never bursts is a metaphor of the continuity of things.
Blow