Sergio Caballero

Finisterrae

Sergio Caballero

Pau Nubiola, Pavel Lukiyanov

Two ghosts walk along the Camino of Santiago.

Ancha es Castilla/N'importe quoi

Sergio Caballero

Ancha es Castilla / N'importe quoi" is a horror movie and sick comedy which tells the story of a child possesed by the Devil and the exorcisms she practices with her family in order to evict the evil. An explosive mix between "The Exorcist", "Jaws" and "God Save the Queen".

La distancia

Sergio Caballero

A heist film unlike any you've ever seen. In his second film (following his debut Finisterrae), Sergio Caballero plays fast and loose with all the laws of genre filmmaking. The ‘distance’ in the title is the ultimate MacGuffin - the term coined by Hitchcock for the thing the characters are pursuing, but which for the audience is completely meaningless. The fact that everyone communicates by telepathy enables Caballero to ‘speak’ a lingua franca made up of many different languages: from the Russian of the dwarves and the guard, to the German of the artist and the Chinese of the guard with the brazier.

Je te tiens

Sergio Caballero

Ángela Molina, Virginia Rousse

It is the road trip of a mother and her daughter through strange worlds. The daughter wants to kill herself and the mother will try to talk her out of it.

Brava

Roser Aguilar

Laia Marull, Francesc Orella

Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.