Nan Triveni Achnas
2021Born in Singapore in 1963, she grew up in Kuala Lumpur, Malaysia. Achnas graduated from the Faculty of Film and Television at the Jakarta Institute of the Arts. She also completed a master's degree in Film Studies at the University of East Anglia in 1996 where she was a Chevening Scholar. While graduating from the University of East Anglia, she directed a film entitled The Only Day (1988) as her diploma film. It won the Grand Prix at the Asian Young Cinema Film Festival in Tokyo. In 2020, she obtained her PhD degree at Nanyang Technological University Singapore with a doctoral thesis on “Experimenting with the essay form and wayang in contemporary Indonesian filmmaking : when shadows are grey”. Apart from directing films, Achnas' teaches film at the Jakarta Institute of the Arts considered as the main film school in Indonesia.
Bendera
Nan Triveni Achnas
Sofyan D. Surza
Budi and Rosi are assigned by the teacher to raise the flag on Mondays. But when the teacher gives Budi the flag for washing, he falls asleep and forgets that the bucket he is using to soak the flag, is usually used by his neighbour, Bang Ali, to wash his bajaj (motor tricycle). Budi panics when he learns that the flag is missing. He calls Rosie and they look for it around the house. Then Bang Ali returns the bucket, and they rediscover the flag. But when they wash and dry it, the flag goes "missing" again. This takes Budi and Rosi on an "adventure" to find the flag again.
Bendera
Whispering Sands
Nan Triveni Achnas
Christine Hakim, Slamet Rahardjo
Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.
Whispering Sands
The Photograph
Nan Triveni Achnas
Shanty, Lukman Sardi
Sita is an escort at a karaoke bar who struggles to raise money to send her daughter out of the city to live with her grandmother and settle her debts with her pimp. She moves in with aging photographer Jan and helps him fulfill his last wishes.
The Photograph
Kuldesak
Mira Lesmana, Rizal Mantovani
Bianca Adinegoro, Oppie Andaresta
The film weaves around four stories all happening in metropolitan, dehumanizing Jakarta. In fact that is what it is about, the quality of meaninglessness of living in a place that turns people into zombies. In a place where meaning must be invented, these kids turn into the only place, the only culture they see worth tuning into: television and movies. Thus they slowly degenerate into the abysmal reinterpretation in a sort of sickening anti-hero, anti-social statements that goes absurdly a wrong turn.
Kuldesak
