Edward Martindel
1876 - 1955Love's Whirlpool
Bruce Mitchell
James Kirkwood, Lila Lee
Toughened criminal Jim Reagan tries to persuade his brother, Larry, to go straight, but Larry attempts to rob a banker, Richard Milton, and is arrested. Milton refuses to be lenient, and when Larry is killed trying to escape from prison, Jim and his wife, Molly, resolve to have vengeance.
Love's Whirlpool
The Sporting Venus
Marshall Neilan
Blanche Sweet, Ronald Colman
Familiar story of spoiled heiress, Blanche Sweet, who dabbles in romance with commoner Ronald Colman. They roam the highlands together hunting since this is Sweet's "sport." They seem to have an idyllic affair going when into the mix comes an impoverished prince (Lew Cody). He determines to steal away the heiress and pay off his creditors. Indeed, this is the plan he shares with them.
The Sporting Venus
We Americans
Edward Sloman
George Sidney, Patsy Ruth Miller
We Americans was based on the Broadway play of the same name. Returning to the "melting pot" themes that he handled so well, director Edward H. Sloman concentrates on the trials and tribulations of three first-generation American families: The Jewish Levines, the German Schmidts and the Italian Albertinis.
We Americans
American Madness
Frank Capra
Walter Huston, Pat O’Brien
Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused of robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair... all in the same day.
American Madness
Hail the Woman
John Griffith Wray
Florence Vidor, Lloyd Hughes
Oliver Beresford is a stern, Puritanical, and uncompromisingly rigid father. When shameful stories about his daughter Judith surface, rather than determine whether the stories are true, he bans her from his house. Her brother David, a pusillanimous reprobate, has secretly married and fathered, then abandoned, a child. Judith takes care of the child and finds a way to restore her family through the love for the babe.
Hail the Woman
Modern Love
Arch Heath
Charley Chase, Kathryn Crawford
In order to keep her job, a young dress designer must keep her recent marriage a secret from her boss. An important client arrives from Paris and her boss decides to hold a dinner party for the man at the girl's house. When her husband finds out that the client wants to take her back to Paris so she can "study," he comes up with a plan to stop it, and it begins with his being the "server" at the dinner party.
Modern Love
The Duchess of Buffalo
Sidney Franklin
Constance Talmadge, Tullio Carminati
An American dancer on a tour of pre-Boleshevik Russia falls for a young army officer, and the feeling is mutual. However, the officer's father is the Grand Duke of Russia, and he has designs on the girl himself--not letting a minor detail like his already being married bother him--and refuses to let his son marry her.
The Duchess of Buffalo
Lovebound
Henry Otto
Shirley Mason, Alan Roscoe
Besse Belwin works as a stenographer for district attorney John Mobley. It doesn't take long for Mobley to fall in love with his cute little employee and he proposes. Besse doesn't reveal that her father has a criminal past which he has since renounced.
Lovebound
High Stakes
Lowell Sherman
Lowell Sherman, Mae Murray
High Stakes is a 1931 American Pre-Code comedy drama produced and released by RKO Pictures. The picture was directed by Lowell Sherman who also stars and marks the last starring screen appearance of silent screen diva Mae Murray. It is based on a 1924 Broadway play that starred Sherman playing the same role he plays in this film.
High Stakes