
Carl Möhner
1921 - 2005Carl Martin Rudolf Möhner was an Austrian film actor. He appeared in more than 40 films between 1949 and 1976. He was born in Vienna, Austria, and died in McAllen, Texas from Parkinson's disease. His most famous role was as Ernst Lindemann, Captain of the Bismarck in the 1960 film Sink the Bismarck! opposite Kenneth More.
Du rififi chez les hommes
Jules Dassin
Jean Servais, Carl Möhner
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Rififi
Celui qui doit mourir
Jules Dassin
Jean Servais, Carl Möhner
Greece, in the 1920s, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. The leading citizens of the town, under the auspices of the Patriarch, choose those that will play the parts in the Passion. A stuttering shepherd is chosen to play Jesus. The town butcher (who wanted to be Jesus) is chosen as Judas. The town prostitute is chosen as Mary Magdalene. The rest of the disciples are also chosen. As the movie unfolds, the Passion Play becomes a reality. A group of villagers, uprooted by the war and impoverished, arrive at the village led by their priest. The wealthier citizens of the town want nothing with these people and manipulate a massacre. In the context of the 1920s, each of the characters plays out their biblical role in actuality.
He Who Must Die
Sink the Bismarck!
Lewis Gilbert
Kenneth More, Dana Wynter
The story of the breakout of the German battleship Bismarck—accompanied by the heavy cruiser Prinz Eugen—during the early days of World War II. The Bismarck and her sister ship, Tirpitz, were the most powerful battleships in the European theater of World War II. The British Navy must find and destroy Bismarck before it can escape into the convoy lanes to inflict severe damage on the cargo shipping which was the lifeblood of the British Isles. With eight 15 inch guns, it was capable of destroying every ship in a convoy while remaining beyond the range of all Royal Navy warships.
Sink the Bismarck!
Pünktchen und Anton
Thomas Engel
Sabine Eggerth, Peter Feldt
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
Annaluise & Anton
The Camp on Blood Island
Val Guest
André Morell, Carl Möhner
Set in a Japanese prisoner of war camp during World War II, the film focuses on the brutality and horror that the allied prisoners were exposed to as the Japanese metered out subjugation and punishment to a disgraced and defeated enemy. This harrowing drama concentrates on the deviations of legal and moral definitions when two opposing cultures clash. Although fictional, this was one of the earliest films to deal realistically with life and death in a Japanese prisoner-of-war camp during the Second War.
The Camp on Blood Island
Hell Is Empty
John Ainsworth, Bernard Knowles
Martine Carol, Anthony Steel
On the run from the police, a female thief and her band of robbers take refuge on a desert island where they discover a mansion inhabited by a family whom they take hostage. One of the robbers falls for the couple's daughter.
Hell Is Empty
The Kitchen
James Hill
Carl Möhner, Mary Yeomans
In the business end of a kitchen, a polyglot staff strives to cope with a superhuman task. A microcosm of the world, the kitchen looms around and encloses its workers; they include Peter, the German cook, who is in love with waitress Monica, and constantly asks her to leave her husband. The pressure of the day becomes unendurable, and when Peter realises that Monica does not mean to divorce her husband his grief and pain cause him to run berserk!
The Kitchen