
João Pedro Bénard
2021Recollections of the Yellow House
João César Monteiro
João César Monteiro, Manuela de Freitas
Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.
Recollections of the Yellow House
O Homem de Trás-os-Montes
Miguel Moraes Cabral
Miguel Nunes, João Pedro Bénard
In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.
Beyond the Mountains
João Bénard da Costa: Outros Amarão as Coisas Que Eu Amei
Manuel Mozos
João Bénard da Costa, João Pedro Bénard
Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.
João Bénard da Costa: Others Will Love the Things I Have Loved
The Sound of the Shaking Earth
Rita Azevedo Gomes
José Mário Branco, Manuela de Freitas
Freely based on Gide ('Paludes') and Hawthorne ('Wakefield'), this is a film about a writer who never wrote anything and who blows at nightfall the breath of frost. The poem by Carlos Queiroz to which the above sentences belong is not cited in 'O som da Terra a Tremer', but the atmosphere is that, between written letters never received. Fiction within fiction, stories within stories, like those Chinese boxes in which there is always one inside another. Or the two margins of the same river, always being lateral.
The Sound of the Shaking Earth
As Mil e Uma Noites: Volume 2, O Desolado
Miguel Gomes
Crista Alfaiate, Chico Chapas
In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad ! The residents of a tower block in the suburbs will save parrots and piss inside lifts while surrounded by dead people and ghosts; including in fact a dog that…”. And seeing the morning break, Scheherazade fell silent.
Arabian Nights: Volume 2, The Desolate One
Rage
Sérgio Tréfaut
Isabel Ruth, Leonor Silveira
Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.
Rage
Querença
Edgar Feldman
Joana Bárcia, Diogo Dória
In mid-September 1992, journalist Guida Fontes have to go to Luanda to cover the elections in Angola. In the meantime, she had committed herself to discovering and interviewing the poet Júlio Vera. In 1988, he wrote a series of poems in which he mysteriously anticipated the fall of the USSR. Guida has only 12 days to complete the mission.
Querença
Viagem a Portugal
Sérgio Tréfaut
Maria de Medeiros, Isabel Ruth
Maria, a Ukrainian doctor, comes to Portugal to spend a year with Greco, her husband who is also a doctor. Upon arrival at Faro airport she is the only person from Kiev approached by agents of Immigration and Customs that lead her to a room of interrogation, without any explanations. All this occurs because the authorities suspect that something illegal should be behind her trip, since she is from Eastern Europe and her husband is Senegalese.
Journey to Portugal
O Rio do Ouro
Paulo Rocha
Isabel Ruth, Lima Duarte
Carolina, an aging local grande dame who works at a crossing point on the titular river, marries another late-in-life character, the dredging-boat operator Antonio. Not long after their union, she becomes intensely jealous of Antonio's fondness for their winsome goddaughter, Joana, and insinuates herself into a relationship brewing between Joana and a mystical gypsy gold salesman. Soon, tempers are flaring, mystical secrets are being revealed and death is hovering over the central characters.
River of Gold
Estive em Lisboa e Lembrei de Você
José Barahona
Paulo Azevedo, Renata Ferraz
"In the beginning of this project, I wanted to do a documentary film based on this book by Luiz Ruffato. However, I ended up doing a feature film with many links to documentary. I wanted to know what made Brazilians want to emigrate to Portugal. I chose working with amateur actors and non-actors in both cities, so their own life stories and experiences could be in the film. I did the other way round from the writer. He found these people and made them characters of his book. I looked for people who had similar stories to those described in the book, and made them characters of my film. When I read the book, I was seduced by its "false documentary" characteristic. The book was all written as if it was the transcription of an oral interview the writer had done in Lisbon. I decided to keep this narrative in the film, by a narration with the main character talking to the camera. It's a film about emigration. About dreams and disappointments," says Barahona
Estive em Lisboa e Lembrei de Você
A Woman's Revenge
Rita Azevedo Gomes
Rita Durão, Isabel Ruth
Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.
A Woman's Revenge
Se Eu Fosse Ladrão... Roubava
Paulo Rocha
Luís Miguel Cintra, Chandra Malatitch
1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.
If I Were a Thief... I'd Steal
Patrick
Gonçalo Waddington
Hugo Fernandes, Alba Baptista
Patrick, 20-years-old, lives in Paris with his older boyfriend. He runs a teenage pornography website, which results in a prison sentence following a raid at a party. Mário, 8-years-old, was kidnapped 12 years ago in Portugal. Patrick and Mário are the same person with two conflicting identities: a life in Paris filled with parties, drugs, and promiscuity and a new rural life in Portugal, where he feels obliged to reconnect with a broken family.
Patrick
Ramiro
Manuel Mozos
António Mortágua, Madalena Almeida
Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.
Ramiro
The Face You Deserve
Miguel Gomes
José Airosa, Gracinda Nave
Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".
The Face You Deserve
4 Copas
Manuel Mozos
Rita Martins, Margarida Marinho
Diana is a young woman about to enter adulthood. She lives with her father, Gabriel, a game machine dealer, and Magdalene, the stepmother, alongside those working in a hair salon in a shopping center. One day, Diana discovers that Magdalene not only keeps a secret relationship with Michael, the security center and instructor in the gym of the neighborhood, as resumed his old habit of playing. Not to allow the stepmother to his father do the same as her mother had done to her, Diana decides to intervene, approaching the Magdalene lover.
4 Hearts