Thomas Draschan
2021Metropolen des Leichtsinns
Ulrich Wiesner, Thomas Draschan
Found footage film dealing with important aspects of life & death. The film begins with a kind of trip into film as such, leads to sex which then causes birth and raises the question what to do with one's life (for example commit suicide), the film shows also other opportunities like car racing, film-projecting or having sex and eat, dissapear into the abyss of the universe or beat up somebody. All these thoughts lead to nowhere. In the very end the film seems to make obvious that love and the cycle of life and death are as senseless as the attempt of trying to understand them or the film or the world.
Metropolen des Leichtsinns
Begegnung im All
Thomas Draschan
Tells the story of a man and his alter egos, set out in unknown territory doomed by a sinister atmosphere. Lust and sexual desires are glooming all around him.He has to undertake several adventures, fight his enemies, also alter egos of his personality.
Encounter in Space
The Influence of Ocular Light Perception on Metabolism in Man and in Animal
Stella Friedrichs, Thomas Draschan
A found footage film, which uses an Italian Sixties softporn soundtrack, which is repeated twice. Each time a sequence of images is synched to the soundtrack. The film images are illustrating acts of ocular light perception as well as imagery with strong visual impact. It is a kind of visual test directed towards the viewer.
The Influence of Ocular Light Perception on Metabolism in Man and in Animal
To the Happy Few
Stella Friedrichs, Thomas Draschan
The film is structured around the mystical idea of the mandala, in this case pictures of (fake) suns, galaxies and planets. These images are in sync with an Indian Bollywood song to enhance the pseudo-psychedelic effects. The film material covers a very wide range of found footage from various sources and decades from the Thirties (invisible woman) to the end of the 1980s.
To the Happy Few
Preserving Cultural Traditions in a Period of Instability
Sebastian Brameshuber, Thomas Draschan
In a voiceover Stan Brakhage articulates his resentments about the use of computers for art production and in general. This comment is contrasted by video imagery turning more and more abstract until it bursts into a sea of square pixels. The video is an ironic illustration of Brakhage's views as these "defunct" images reveal a kind of beauty of their own.
Preserving Cultural Traditions in a Period of Instability
