Leda Taseva
1926 - 1989Да обичаш на инат
Nikolai Volev
Velko Kanev, Ivan Velkov
A middle-aged man makes every effort to provide for more or less decent life for his family. He is a driver who carries vegetables and fruits. He spends reasonable to save for his family and especially for his kid. Everything is all right until the day when the boy finds out that the part of the money have been made in indecent way. This revelation provokes a serious conflict in the family and the boy deserts his home. The man makes an attempt to put an end to his shady deals, but it turns out to be impossible. His 'employers' display exorbitant aggressiveness.
All for Love
Мигове в кибритена кутийка
Mariana Evstatieva-Biolcheva
Violeta Doneva, Dossio Dossev
The 12-year-old Aneta and Boy feel that there is something like a first love between them. The kids are traveling to the countryside together. They get to two of Aneta's grandparents - one of her grandmothers was married three times. Aneta's favorite grandfather is her grandmother's third husband. He is not her real grandfather, but she loves him because he likes to fantasize. He taught Aneta a magic game - to light a match and imagine anything in flame. Her favorite grandfather dies. Aneta mourns him for a long time, lights matches but no use.
Moments in a Matchbox
Сиромашко лято
Milen Nikolov
Georgi Partsalev, Ivan Kondov
The day that the financial clerk Metodi Rashkov is getting retired comes. He is a shy and quiet man and he accepts all tasks given to him by his son and daughter in law without argument. With time, he becomes a housekeeper; he shops, cooks and looks after his grandson. In order to save his face in front of his friends he lies to them and falls in a number of uncomfortable situations. The "Expolsion" becomes imminent. The reason is insignificant but with great consequences. Rashkov leaves his home. Soon the freedom which he wanted becomes boring for him. The abandoned family begins to miss the grandfather. At the end everyone sees their mistakes and is ready to fix them. The birth of a second grandson is the event which brings everyone under the same roof again.
Indian Summer
Бай Ганьо тръгва из Европа
Иван Ничев
Georgi Kaloyanchev, Stoyan Aleksiev
Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.
Bai Ganyo on His Way to Europe
The Black Swans
Ivan Nitchev
Diana Raynova, Zornitza Mladenova
Violetta is a ballerina in a provincial town. She is the daughter of an opera singer and a violinist. The years pass in anticipation of the big role, and the men she meets do not understand her and she remains alone. When the chance finally comes - to play the role of Odette, Violetta realises she has failed.
The Black Swans
Къщи без огради
Georgi Stoyanov
Kircho Petrov, Konstantin Kotsev
Misho becomes an orphan. The good people from the neighborhood take care of him until the child is placed in an orphanage. Everyone is trying to bring joy to the kid. However, Misho is searching for his mother's love in their eyes. Now the people are being kind to him, but there is always an invisible wall. Maybe uncle Elenko is the most sincere, since he shows his feelings in a tragic moment when Misho gets on a roof of a construction site. However, why does he care for Misho end with him convincing him to go to the orphanage?
Houses Without Fences
Stars in Her Hair, Tears in Her Eyes
Ivan Nitchev
Petar Slabakov, Katya Paskaleva
This is a film about a traveling theatrical group in the beginning of 20th century. The itinerant troupe arrives in the little town, comprising several families, an eccentric student, an anarchist, all united by their love for theatre. The theatricals of 'Othello' are pending. All of a sudden, the performer of Desdemona falls ill. The local woman teacher plays in her stead. She makes a success and joins the troupe. The young woman travels with them along the dusty country roads and never gives up. Step by step she becomes a very good actress and assumes the leading of the group through its complex life. United by their common fate, the actors go through the joys and disappointments of their pioneering educative mission together.
Stars in Her Hair, Tears in Her Eyes
Самодивско хоро
Ivan Andonov
Pavel Popandov, Mariana Dimitrova
In a small provincial town, an young local artist exhibits his works. One of the paintings, depicting a fairy dance of naked women, provoke the people which discover similarities with a certain lady from the neighbourhood.
Dance of the Samodivi
Be Happy, Ani!
Vladimir Yanchev
Vasili Merkuryev, Nevena Kokanova
Ani, a charming young girl, is a driver at Sofia Airport. She sends a letter to her boyfriend Boyan, a worker at a large construction site. The letter contains a single word "yes". Boyan starts preparing for a wedding. The Soviet pilot Andrey will soon return home after several years spent working with his Bulgarian colleagues. They arrange a farewell tour of Bulgaria for him on which Ani has to drive him. Because of mistaken jealousy, Boyan tears up his sweetheart's letter.
Be Happy, Ani!
Спомен
Ivan Nitchev
Ivan Arshinkov, Tadeusz Fijewski
The days of antifascist fight are over. In an orphanage for gifted children lives Milcho. The music helps him to escape from the real world to the world of memories. He remembers the days that the police officer arrested his mother for hiding a fugitive. A bright mark has left people that Milcho met, looking for his mother: the good old musician, the gypsy Shukri - raw natural talent, the beautiful Mila, and the Poet. They help Milcho to live through his pain. A piano concert of Brahms is playing by the young artist.
Memory
The Last Word
Binka Zhelyazkova
Iana Guirova, Tzvetana Maneva
The seven women inmates in Poslednata Duma are imprisoned because they have been associated with partisans opposing the fascist puppet government of the German Nazis. Each of them has the power to save herself if she will betray the others, and each bravely refuses to do so, even though it means they all will die. Despite their grim situation, and the atrocities perpetuated on them as political prisoners, they manage to laugh, and even celebrate a festival.
The Last Word
Да изядеш ябълката
Nikola Rudarov
Asen Kisimov, Stefan Ilyev
Maria, a beautiful middle-aged woman, former participant in the fight against Nazism is killed. The investigator Urumov discovers the criminal. Urumov wants to know the reason why Dzherikarov has committed the murder. Dzherikarov is a former officer of the king army. Maria's memories expose the fact that she has arrested his commander in the past. By killing Maria, he wants to save his understanding of "officer's honor". Urumov sees that Maria's daughter leaves at the mother's grave an apple. In order to save her illusion, he eats the apple every time. In final talk with Dzherikarov, the murderer condemns himself to death and eats the apple.
To Eat the Apple
Прозорецът
Georgi Stoyanov
Leda Taseva, Antony Genov
Phillip is married to Rositza but has a kid from Marta. Rositza adopts the kid, but she could not keep neither it nor her husband. Phillip takes the kid and moves to the attic where Marta lives. Rositza comes to pick up the kid, since she wants to take care of it. In the quarrel for the kid, get involved the proprietor of the attic Venera and her nephew Svetlozar. Soon everyone starts to unravel his or her own live experiences. The kid does not make a noise in the other room just to show that everyone has forgotten about him. No one from the characters has seen his or her faults. In order for them to avoid their vulnerability, they have a behavior style, which is not part of their human nature. They have lost their essence.
The Window
