Negar Javaherian
1983 (43 года)
حوض نقاشی
Maziar Miri
Shahab Hosseini, Negar Javaherian
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...
The Painting Pool
تنها دوبار زندگی میکنیم
Behnam Behzadi
Alireza Aghakhani, Negar Javaherian
Siamak who is a minibus driver decides that he wants to die and chose his birth day to do so. Before that he wants to do all the things which he was wishing to do in his life. But one day he meets a girl which change his life.
We Only Live Twice
طلا و مس
Homayoun Assadian
Negar Javaherian, Behrooz Shoeibi
A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's Muslim clergy with its unusual tale of a man forced by hardship to become a better husband and father. Seyed Reza has just moved with his family to Tehran so he can study the Koran, and he relies on his lovely wife Zahra to look after their two young children and weave the intricate rugs that earn them a living. But one evening Zahra collapses and is taken to the hospital, where she's diagnosed with multiple sclerosis. Scarcely able to process the tragedy, Seyed is left to cook, change diapers, walk his daughter to school and take his toddler son with him to his classes, where peers and elders treat him with scorn. But Seyed eventually learns to cope, his prayers and devotional studies taking on deeper meaning as he attends to the hard nightly work of rug weaving, getting through with a heavy ...
Gold and Copper
A Cube of Sugar
Reza Mirkarimi
Reza Kianian, Negar Javaherian
Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).
A Cube of Sugar
من ترانه پانزده سال دارم
Rasoul Sadrameli
Tarane Alidousti, Hossein Mahjoub
Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.
I'm Taraneh, 15
Tales
Rakhshan Banietemad
Habib Rezaei, Mohammad Reza Foroutan
Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.
Tales
پا برهنه در بهشت
Bahram Tavakkoli
Houman Seyyedi, Siamak Adib
Yahya a young religious man chose an AIDS hospice for his occupation. He is completely unlike his colleagues. He dressed like the ordinary people and he is not a talkative guy and his target is helping. In the other hand is a doctor who is the head of hospice and he enjoy of torturing his patients. He have made some where in his hospice for doing his research about HIV where named "Heaven" by hospitalized patients.
Barefoot in Heaven
شیرین
Abbas Kiarostami
Tarane Alidousti, Pegah Ahangarani
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Shirin
By no Reason
Abdolreza Kahani
Reza Attaran, Pantea Bahram
A couple are moving in to a house with a lot of boxes to start their married life, but the former residents are still there with their wrapped up furniture and boxes too! They also have a small wedding ceremony to host that very night.
By no Reason
