Ivo M. Ferreira
1975 (50 лет)Até Amanhã, Camaradas
Joaquim Leitão
Gonçalo Waddington, Cândido Ferreira
Portugal, 1944. In a country oppressed by a brutal dictatorship, there are those who resist and mobilize the people to fight for bread and freedom, even if it cost them prison, torture or their lives.
Until Tomorrow, Comrades
Fantasmas do Império
Ariel de Bigault
João Botelho, Margarida Cardoso
Ariel de Bigault's work has been connected to the routes of the Lusophone World. In Fantasmas do Império we are guided by the saotomean actor Angelo Torres through some works of the Portuguese cinema that explored its colonial past. Some directors as Fernando Matos Silva, João Botelho or Margarida Cardoso help to understand imperialism, colonialism, and propaganda seen through the "family album" which is the Portuguese cinematic collective imaginary.
Fantasmas do Império
Cartas da Guerra
Ivo M. Ferreira
Miguel Nunes, Margarida Vila-Nova
In 1971, António Lobo Antunes' life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.
Letters from War
Águas Mil
Ivo M. Ferreira
Gonçalo Waddington, Joana Seixas
April 1974 saw the fall of a long lasting dictatorship. The young democracy developed in the midst of much social and political turmoil. The armed wing of a leftist group changed the future of one family - the father disappears without trace, the mother denies their past, and the son grows up with unanswered questions. As a young man, Pedro is determined to reach for answers, aided by his apparently batty grandmother. Collecting clues and meeting people who would rather prefer to remain forgotten. His inner journey leads him Portugal to Spanish through the deserted roads of Alentejo. Pedro will find himself, but there is a price to pay.
April Showers
Hotel Império
Ivo M. Ferreira
Margarida Vila-Nova, Rhydian Vaughan
The Empire Hotel is a 30-year-old landmark in Macau's old quarter, inhabited by characters with their own stories and struggles. It is also Maria's home. One day, the burden of keeping lives together and the hotel standing falls on her shoulders. A young man who left Macau two decades ago returns, intent on revenge and reclaiming his mother's fortune – half the hotel. Inside the casino, Maria sings Fado and exotic dancers perform. It is against this illusory backdrop that the man lays eyes on Maria for the first time; they’re both mesmerized. The film cuts back and forth between film noir-style scenes of Macau’s past and present.
Empire Hotel
Em Volta
Ivo M. Ferreira
Beatriz Batarda, Diogo Laço
Vicente goes to Egypt to cover some news for his newspaper, but then he decides to take the investigation further, along the Tropic of Cancer, further and further away (in time and space) from home, and his difficult love life. Therefore he revisits the lands explored 500 years before by the seafarers from his own people: Egypt, India, Thailand, Vietnam, Nepal, Laos, China... Eventually he must come back.
Em Volta
