Fereydun Gole
1942 - 2005Fereydun Gole (also spelled Fereydoun Goleh) (1942–2005) was an Iranian screenwriter, film director, and film editor. He was active in producing urban drama films throughout the 1970s, dealing with such issues as the social stratification of Tehran. His most famous film was Beehive. After he died in 2005, the 2006 documentary film Iran: A Cinematographic Revolution was dedicated to him.
Description above from the Wikipedia article Fereydun Gole, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Iran: A Cinematographic Revolution
Nader T. Homayoun
Fereydun Gole, Nosratallah Karimi
Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.
Iran: A Cinematographic Revolution
زیر پوست شب
Fereydun Gole
Morteza Aghili, Susan Gilber
In one of his daily wanderings, Ghasem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to sleep with him. But Ghasem doesn't have a place of his own and the girl is about to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away....
Under the Skin of the Night
مهرگیاه
Fereydun Gole
Ali Nasirian, Pouri Banaei
Ali's land which he inherited is usurped by his aunt. He sells flowers for living but one night outside the city he meets a strange woman who seems to running away from some people. She introduces herself as Mehri and rides in Ali's car. This leads to a relationship to bond between the two but one day she disappears and Ali is unable to find her.
The Mandrake
دشنه
Fereydun Gole
Behrouz Vossoughi, Forouzan
Banafsheh, a young prostitute who has fled with a man to the seaside in hope of starting a new life has to return to her profession as she learns about the betrayal of her lover. Penniless and emotionally broken, she also has to bear with the taunts of the other girls and the threats of the roughneck patron of the house, Mammad who unfailingly refer to his dagger to consolidate his supremacy. In fact it was Mammad who ordered the man to rob Banafsheh of her money and abandon her. Banafsheh apparently has not learnt her lesson, as she trusts her next customer and falls in love with him. Her new lover , Abbas, is a truck driver who received his nickname for his habit of constantly lying, but it seems that he gives it a break when promises Banafsheh to get a house of their own...
The Dagger
