Shambhavi Kaul

Mount Song

Shambhavi Kaul

A strange yet familiar sense of place dominates Shambhavi Kaul's deceptively disorienting and visually entrancing Mount Song. As a wild, foreboding gust courses through the night, a subdued elegance is brought forth from past cinema spectacles, whose generic albeit highly suggestive set constructions remain lodged in our imaginary.

Night Noon

Shambhavi Kaul

Shambhavi Kaul sets up dialectical dread in Death Valley in a series of uncanny shots of geological formations, eroded mountains, dunes and dried lava contrasted against images of shimmering night skies.

नज़र

Mani Kaul

Shekhar Kapur, Shambhavi Kaul

A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.

Private Detective: Two Plus Two Plus One

Rajat Kapoor

Naseeruddin Shah, Shambhavi Kaul

An urban contemporary film about adultery, murder and betrayal in the film noir style. A simple story to which the director imparts a feeling of unrest and disquiet, catching the city in its various moods. The film breaks generic conventions, notably in the presentation of the private detective through his deglamourised life and his process of discovery of 'who did it'. It is not constructed through his point of view at all. In fact the policeman and the detective, the fact finders, are in the dark about the crime, to the very end.

025 Sunset Red

Laida Lertxundi

Shambhavi Kaul, Emilio Luarca

Laida Lertxundi continues her exploration of the American West with the intimately scaled 025 Sunset Red, which folds in autobiography as she looks back to her parents' radical activism in Spain.

21 Chitrakoot

Shambhavi Kaul

21 Chitrakoot exhumes a mystical land composed of 1980s chroma-key backdrops from a famous Indian television series.

Scene 32

Shambhavi Kaul

Scene 32 maps the terrain that lies between a beloved place and the things that represent it. The salt fields of Central Kutch are examined through High Definition video and hand processed 16mm film to become another thing altogether: neither a specific location in India nor its representation but a rebuilt world of precipices and gullies, untouchable textures and unfathomable scale.

Hijacked

Shambhavi Kaul

Airplane space is inhabited by characters for whom ‘escape’, one of the promises of airplane technology, proves elusive.

Place for Landing

Shambhavi Kaul

A household landscape of mirrors. A child and its reflection are inscribed in a shadowy lunar patchwork. The camera switches its optical pursuit: the child disappears and a bird emerges. The surveying mirror implodes or explodes into space. Its mottled hallway glass both indicates and becomes a PLACE FOR LANDING. After a series of clever misdirections by the mirror, all is redeemed by a fragment of song in this unsettling haptic illusion.