Sally Eilers
1908 - 1978Dorothea Sally Eilers (December 11, 1908 – January 5, 1978) was an American actress.
She made her film debut in 1927 in The Red Mill, directed by Roscoe Arbuckle. After several minor roles as an extra, in 1927-1928 she found work with Mack Sennett as one of his "flaming youth" comedians in several comedy short subjects, along with Carole Lombard, who had been a school friend. In 1928, she was voted as one of the WAMPAS Baby Stars, a yearly list of young actresses selected by publicity people in the film business, with selection based on the actresses' having "shown the most promise during the past 12 months."
Eilers was a popular figure in early-1930s Hollywood, known for her high spirits and vivacity. Her films were mostly comedies and crime melodramas such as Quick Millions (1931) with Spencer Tracy and George Raft. By the end of the decade, her popularity had waned, and her subsequent film appearances were few. She made her final film appearance in Stage to Tucson (1950).
Broadway Daddies
Fred Windemere
Jacqueline Logan, Alec B. Francis
Eve, a beautiful young nightclub dancer, turns down a string of wealthy and powerful suitors for Robert, a poor but ambitious young man. What Eve doesn't know is that Robert is the son of a wealthy businessman and is just pretending to be poor to see if she really loves him. However, an item in the society pages gives away Robert's true identity. Complications ensue.
Broadway Daddies
A Wave, a WAC and a Marine
Phil Karlson
Elyse Knox, Ann Gillis
Henny Brown, talent scout for the Margaret Ames Film Agency in Hollywood, mistakes Broadway show understudies Judy and Marian, for stars Betty and Eileen, and signs them up for movies. Margaret, furious with Henny for the blunder, fires him---but only temporarily. Another agent, Marty Allen, once married to and still in love with Margaret, signs Betty and Eileen. Henny arrives with Judy and Marian, and the nightclub manager asks Henny to emcee the show. Though he is not sure himself what they can do, Henny introduces the girls and they make a hit in a dramatic sketch. Big-time movie producer R. J. signs them to a film contract. Judy joins the WAVES, Marian the WACS and Marty the Marines and all have two weeks before induction, and that is more than long enough to shoot a Monogram musical-within-a-Monogram musical and have a few days to spare.
A Wave, a WAC and a Marine
The Crowd
King Vidor
Eleanor Boardman, James Murray
John, an ambitious but undisciplined New York City office worker, meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.
The Crowd
She Made Her Bed
Ralph Murphy
Richard Arlen, Sally Eilers
"Duke" Gordon (Robert Armstrong), a circus lion-tamer, tries to tames his wife, Laura (Sally Eilers), just as he does his lions. But she is a one-man woman, married to the wrong man, and refuses to cheat on her cheating husband even though her happiness depends on doing so.
She Made Her Bed
Over the Hill
Henry King
Mae Marsh, James Dunn
In their farm house in a New York village, Ma Shelby prepares breakfast for her four children, Isaac, Tommy, Johnny and Susan, and then awakens them. The racket the boys make as they play and fight awakens their father, who spanks the eldest, Isaac. When a visitor chides Pa for not working, Ma sticks up for her husband, saying that he has a weak back and that he is waiting for a promised government job.
Over the Hill
The Nurse from Brooklyn
S. Sylvan Simon
Sally Eilers, Paul Kelly
A nurse's younger brother is caught in a shootout between a criminal gang and the police, and he is shot and killed. The officer who is accused of shooting the man knows that he didn't do it, and sets out to find the real killer and clear his own name.
The Nurse from Brooklyn
The Good-Bye Kiss
Mack Sennett
Johnny Burke, Sally Eilers
Sally (Sally Eilers) joins the Salvation Army in order to follow her boyfriend Johnny (Johnny Burke) when he's shipped off to fight in the First World War. When Johnny turns out to be a bit of a coward, Sally spurs him and his fellow soldiers on to heroism. The Good-Bye Kiss was noted at the time for being a Mack Sennett comedy played relatively straight, with plenty of plot and very little slapstick.
The Good-Bye Kiss
The Long, Long Trail
Arthur Rosson
Hoot Gibson, Sally Eilers
Its time for the big race and its the Rambling Kid riding Dynamite versus Wilson's horse Thunderbolt. When Gyp informs Wilson that Lightning is faster, Wilson has Gyp drug the Kid's coffee just before the race.
The Long, Long Trail
The Black Camel
Hamilton MacFadden
Warner Oland, Sally Eilers
Movie star Shelah Fane is seeing wealthy Alan Jaynes while filming in Honolulu, Hawaii, but won't marry him without consulting famed psychic Tanaverro first. Tanaverro confronts her about the unsolved murder of fellow film star Denny Mayo three years earlier, and she decides to reject Jaynes' proposal. When Shelah is found shot to death in her beach-front pavilion, Charlie Chan of the Honolulu Police investigates.
The Black Camel
We Have Our Moments
Alfred L. Werker
Sally Eilers, James Dunn
A trio of American crooks board a ship bound for Europe, intending to get rid of $100,000 in stolen dough. With detective John Wade breathing down their necks, the crooks stash the loot in the trunk belonging to vacationing schoolmarm Mary Smith.
We Have Our Moments
