Lee Phelps
1893 - 1953Lee Phelps (May 15, 1893 – March 19, 1953) was an American film actor. He appeared in over 600 films between 1917 and 1953, mainly in uncredited roles. He also appeared in three films - Grand Hotel, You Can't Take It with You, and Gone with the Wind - that won the Academy Award for Best Picture.
Phelps appeared in the 1952 episode "Outlaw's Paradise" as a judge in the syndicated western television series The Adventures of Kit Carson, starring Bill Williams in the title role. He also appeared in a 1952 TV episode (#90) of The Lone Ranger.
The Freshie
William Hughes Curran
Guinn Williams, Molly Malone
Convinced by a vacationing professor that he should get an education, Charles Taylor abandons his cowboy life for college. He finds that higher education involves more than books, however, when the sophomores select him as an ideal subject for hazing.
The Freshie
The Little Shepherd of Kingdom Come
Wallace Worsley
Jack Pickford, Clara Horton
An orphan boy from the Kentucky hills joins the Union Army and rescues his adopted family from Morgan's raiders. He learns his real identity when he returns after the war.
The Little Shepherd of Kingdom Come
Arsenic and Old Lace
Frank Capra
Cary Grant, Priscilla Lane
Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!
Arsenic and Old Lace
The Roaring Twenties
Raoul Walsh
James Cagney, Priscilla Lane
After World War I, Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.
The Roaring Twenties
You Can't Take It with You
Frank Capra
Jean Arthur, Lionel Barrymore
Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
You Can't Take It with You
The Calling of Dan Matthews
Phil Rosen
Richard Arlen, Charlotte Wynters
Dan Matthews (Richard Arlen), a young parson, is in love with Hope Strong (Charlotte Wynters), the daughter of James B. Strong ('FRederick Burton'), a man who controls the town with his real estate and business interests. Strong is an upstanding citizen who has fallen into the hands of a clever racketeer, Jeff Hardy (Douglass Dumbrille), who acts as Strong's manager of some innocent-appearing amusement places that are really secret dens of vice.
The Calling of Dan Matthews
Scarlet Street
Fritz Lang
Edward G. Robinson, Joan Bennett
Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.
Scarlet Street
Red River
Howard Hawks
John Wayne, Montgomery Clift
Headstrong Thomas Dunson starts a thriving Texas cattle ranch with the help of his faithful trail hand, Groot, and his protégé, Matthew Garth, an orphan Dunson took under his wing when Matt was a boy. In need of money following the Civil War, Dunson and Matt lead a cattle drive to Missouri, where they will get a better price than locally, but the crotchety older man and his willful young partner begin to butt heads on the exhausting journey.
Red River
Complicated Women
Hugh Munro Neely
Jane Fonda, Frances Dee
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Complicated Women
The Public Enemy
William A. Wellman
James Cagney, Jean Harlow
Two young Chicago hoodlums, Tom Powers and Matt Doyle, rise up from their poverty-stricken slum life to become petty thieves, bootleggers and cold-blooded killers. But with street notoriety and newfound wealth, the duo feels the heat from the cops and rival gangsters both. Despite his ruthless criminal reputation, Tom tries to remain connected to his family, however, gang warfare and the need for revenge eventually pull him away.
The Public Enemy
