
Carlo Lizzani
1922 - 2013Sergio Leone: cinema, cinema
Carles Prats
Tonino Delli Colli, Carla Leone
The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.
Sergio Leone: cinema, cinema

Cronache di poveri amanti
Carlo Lizzani
Anna Maria Ferrero, Cosetta Greco
In 1925, young Florentine typographer Mario moves to via del Corno to be near his girlfriend Bianca. Here befriends Maciste, his landlord, and Ugo, anti-fascists both of them. After a resident is beaten by the fascists, Mario meets her wife Milena at the hospital, falling in love with her and leaving Bianca. Maciste is killed, again by fascists, while Ugo is wounded and he seeks shelter in a nearby house. Here he falls in love with Gesuina and the two marry. Milena's husband dies, but she and Mario part ways. Later, Mario is arrested by the police.
Chronicle of Poor Lovers

Giuseppe De Santis
Carlo Lizzani
Alessandro Angelini, Lino Capolicchio
A brief tribute to the great director, spanning through some insights about his character, his works, his life, through the words of critics, relatives, colleagues, with a collage technique of interviews, archive footage, and brief excerpts and pictures from some of his works.
Giuseppe De Santis

Maria Josè, l'ultima regina
Carlo Lizzani
Barbora Bobuľová, Alberto Molinari
Maria Josè was the daughter of the king of Belgium and she was betrothed to Umberto di Savoia, the son of Vittorio Emanuele III, the king of Italy. The movie tells her story from her teens, when she was a Red Cross nurse during World War I until her exile in 1946.
Maria Josè, l'ultima regina

Non eravamo solo... Ladri di biciclette - Il neorealismo
Gianni Bozzacchi
Bernardo Bertolucci, Gabriel García Márquez
This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.
We Weren't Just Bicycle Thieves: Neorealism
