Yogaraj Bhat
1973 (50 лет)
ಗಾಳಿಪಟ
Yogaraj Bhat
Ganesh, Diganth Manchale
Three friends, Ganesh (Ganesh), Diganth (Diganth) and Kitty (Rajesh Krishnan) come to Mugilupete. Ganesh falls in love with Sowmya (Daisy Bopanna), a widow, staying with her in-laws Kodandaram (Anant Nag) and Padma (Padmaja Rao) while Diganth and Kitty fall for Kodandaram's daughters Radha (Neethoo) and Pavani (Bhavana Rao) respectively. While Diganth-Radha and Kitty-Pavani get the green signal for marriage, Sowmya is hesitant to accept Ganesh as her life partner. The director shows how Ganesh wins her heart in a unique way.
Gaalipata
Pancharangi
Yogaraj Bhat
Pawan Kumar, Nidhi Subbaiah
A family goes to a village near Mangalore to finalize a bride for the elder son, Lucky, played by Pavan Kumar. Lucky is a US-based software professional, and is a teetotaler, always abiding by the pressure and demands of his parents, so much to the fact that he does not have the courage to speak out that he already has a girlfriend. Bharath Kumar, the youngest son, the character played by Diganth, is a carefree individual with weird ideas on life. Bharath meets a tomboyish girl, Ambika, who is the house-owner's niece, and they begin to mingle well due to the nature of their personalities. However, following a few unusual twists and turns, the alliance is called off and the groom's family members walk out due to embarrassment. Ambika, who has now developed a strong feeling of love towards Bharath, goes ahead and confronts him. And finally, Bharath too says yes.
Pancharangi
Mugulu Nage
Yogaraj Bhat
Apoorva Arora, Nikitha Narayan
Pulkesh is a very usual guy with an always smiling character. He stays in Mysuru with his father who is a history teacher, his mother who is an housewife also an art lover and his sister who goes to college. The very odd and interesting thing about Pulkesh is that he has never cried from the time he was born.
Mugulu Nage
Drama
Yogaraj Bhat
Yash, Radhika Pandit
The film starts in a village in Mandya where two youngsters Venkatesha and Sathish, who have failed their pre-degree courses seven times, create problems. Nandini, an ultra-modern girl comes to the village and attracts Venkatesha, who is prepared to do anything for pleasing the girl. Both Venkatesha and Sathish follow Nandini to Mysore, where she is pursuing studies. A strict principal of the college humiliates Nandini when she crosses the limits. Meanwhile, the principal gets murdered and a police officer suspects Venkatesha and Nandini to be behind this murder. There is a lot of confusion when it is revealed that Nandini is the daughter of a Dubai-based don, who is trying to kill a Mangalore-based don. What happens in the end is revealed in an interesting climax.
Drama
Gaalipata 2
Yogaraj Bhat
Ganesh, Diganth Manchale
Life surprises you with its weird plans and events which changes our lives so much so that we can never go back to being what we were earlier. At such times we have to rise against the wind just like a kite does. It is the same with the story of Gaalipata 2. Its story is set in two different time zones, in two different places but with the same characters. It's about a turbulent yet fun filled journey of three friends and their love interests.
Gaalipata 2
Parapancha
Krish joshi
Diganth Manchale, Ragini Dwivedi
Rajeeva rebels against his fathers wrongdoings and leaves home, leaving everything earned by his father, including the last thread of clothing on his body. As destiny has its own way for everyone, Rajeeva happens to meet a nomad Khaali Peeli. Khaali Peeli takes him under his patronage and gets him a server`s job in the family bar and restaurant Parapancha.
Parapancha
Vaastu Prakaara
Yogaraj Bhat
Jaggesh, Rakshit Shetty
Vaastu Prakaara (Kannada: ವಾಸ್ತು ಪ್ರಕಾರ) is a 2015 Indian Kannada language satirical comedy film directed by Yogaraj Bhat starring Rakshit Shetty, Jaggesh, Aishani Shetty and Parul Yadav in lead roles. The supporting cast features Anant Nag, Sudha Rani, T. N. Seetharam and Sudha Belawadi. The film deals in the belief of Indians in astrology and superstition and how it is being blindly followed and overlooked over science.
Vaastu Prakaara
