Kim Min-hee
1982 (44 года)
Failan
Song Hae-sung
Choi Min-sik, Cecilia Cheung
After losing both her parents, Failan emmigrates to Korea to seek her only remaining relatives. Once she reaches Korea, she finds out that her relatives have moved to Canada well over a year ago. Desperate to stay and make a living in Korea, Failan is forced to have an arranged marriage through a match-making agency.
Failan
지금은맞고그때는틀리다
Hong Sang-soo
Jung Jae-young, Kim Min-hee
Chun-Soo arrives in Suwon one day earlier than scheduled. He has a special lecture to give the next day. Chun-Soo decides to visit a palace and meets Hee-Jung there. Hee-Jung is a painter and she lets Chun-Soo see her workroom with her paintings. In the evening, they go out eat and drink together. There, Chun-Soo reveals something unexpected to Hee-Jung.
Right Now, Wrong Then
여배우들
E J-yong
Youn Yuh-jung, Lee Mi-sook
When six famous Korean actresses gather for a Vogue fashion photo shoot, egos collide in funny and touching ways in this ingenious mockumentary, where all actresses involved play (not so) fictional versions of themselves.
Actresses
밤의 해변에서 혼자
Hong Sang-soo
Kim Min-hee, Jung Jae-young
Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.
On the Beach at Night Alone
The Woman Who Ran
Hong Sang-soo
Kim Min-hee, Seo Young-hwa
While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation, as always, but there are different currents flowing independently of each other, both above and below the surface.
The Woman Who Ran
Hotel by the River
Hong Sang-soo
Ki Joo-bong, Kim Min-hee
An aging poet, Younghwan, summons his two estranged sons to a solitary hotel beside the Han River because he feels his death is near. While waiting for them to arrive, he meets two women out walking in the new-fallen snow and is struck by their angelic beauty. But the women have come to the hotel to do some healing of their own.
Hotel by the River
순애보
E J-yong
Lee Jung-jae, Misato Tachibana
Asako in Ruby Shoes succeeds in providing yet another challenge to views of a homogeneous South Korea by presenting to us the Asian side of modern globalization. The film jumps back and forth from Korea and Japan, with each main character feeling out of place in their respective homes.
Asako in Ruby Shoes
Claire's Camera
Hong Sang-soo
Isabelle Huppert, Kim Min-hee
Claire, a school teacher with a camera is on her first visit to Cannes. She happens upon a film sales assistant, Manhee, recently laid off after a one-night stand with a film director. Together, this unlikely pair become detectives of sorts, as they wander around the seaside resort town, working to better understand the circumstances of Manhee's firing.
Claire's Camera
모비딕
Park In-je
Hwang Jung-min, Jin Goo
A mysterious explosion occurs at the Balam Bridge in Seoul on November 20th, 1994. In front of hot-blooded local news reporter Lee Bang-Woo, Yoon Hyeok appears. Yoon Hyeok is from the same hometown as Lee Bang-Woo, but they haven't seen each other in a long time. Yoon Hyeok hands over documents to Lee Bang-Woo and hints that the case of the Balam Bridge was fabricated.
Moby Dick
연애의 온도
Roh Deok
Lee Min-ki, Kim Min-hee
The probability of a couple that had broken up getting back together and having a successful relationship is just 3%. Dong-hee and Young, who had broken up over a minor tiff, later realize their love for each other and end up getting back together. But will they be able to fit into the 3% bracket?
Very Ordinary Couple
인트로덕션
Hong Sang-soo
Shin Seok-ho, Park Mi-so
Youngho goes to see his father who is tending to a famous patient. He surprises his girlfriend, Juwon, in Berlin where she is studying fashion design. He goes to a seaside hotel to meet his mother and brings his friend Jeongsoo with him. In each instance, he anticipates an important conversation. But sometimes a shared look, or a shared smoke, can mean as much as anything we could say to those close to us.
Introduction
