Dorottya Udvaros
2021
Hajnali háztetők
Dömölky János
György Cserhalmi, Péter Andorai
1956. Bébé is a painter, but he has not worked for years. The news arriving form Paris about the death of his childhood friend, Halász Petár affects him deeply, but his reflections are continually disturbed by telephone calls: the Alliance for Fine Arts wants to purchase one of the popular self-portraits of Halász.
Roofs At Dawn
Colonel Redl
István Szabó
Klaus Maria Brandauer, Hans Christian Blech
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.
Colonel Redl
Oh, Bloody Life
Péter Bacsó
Dorottya Udvaros, Zoltán Bezerédy
The Hungarian Oh, Bloody Life reflects on the heavy emotional toll taken by the repressive Stalin regime. Dorotya Udvaros plays a young actress from a high-born family. The government bias against persons of wealth threatens to destroy her career before it begins. As a final blow, she is threatened with deportation. The exasperation inherent in the film's title is only the tip of the iceberg.
Oh, Bloody Life
Iskolakerülők
Ferenc Kardos
Károly Eperjes, Dorottya Udvaros
In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.
Truants
Just For Kicks
Péter Gárdos
Reviczky Gábor, Armin Mueller-Stahl
The life of Tamás, antiquities dealer, runs in a normal, everyday way, he is stealing, swindling, cheating on his wife just like everybody else. Suddenly three men, who live in the attic, start harassing him. They construct coarse and unpleasant schemes against him and carry them into effect at the most unexpected times and places.
Just For Kicks
Midnight Rehearsal
Miklós Szurdi
György Linka, Enikő Eszenyi
A country theatre wants to stage the historical play of the opposition author, who is famous abroad but it is well known, that he is fatally ill. The ministry unexpectedly bans the premier. The author is not informed about the decision and he wants - before his death - the costume rehearsal of the play. The director and his actors set up a false rehearsal at the price of a long night's tedious job.
Midnight Rehearsal
Ripacsok
Pál Sándor
Dezső Garas, András Kern
"Ripacsok" is a great movie with great soundtrack, acting, cinematography, direction, etc. The world of "artists", hamming actors, good clowns and bad clowns... A unique movie in many ways. Pál Sándor is a very good hungarian director, watch his movies (especially the slightly better "Régi idõk focija") if you have the chance.
Salamon & Stock Show
Csók, Anyu!
János Rózsa
Róbert Koltai, Dorottya Udvaros
Contemporary genre-painting of a Hungarian "middle class" family of four. The scene is the villa apartment almost finished, where the tourist guide mother, father who also works for the second economy and the lonely big girl preparing for her maturity examination turn up alternatively. It is only the teen-ager boy who really "lives" in this place: instead of attending school he stays home all day and observes the life of the surrounding by a self-made periscope. Internal communication of the family is accomplished in writing, on the pin-up board in the kitchen.
Love, Mother
Elveszett illúziók
Gyula Gazdag
Gábor Máté, Dorottya Udvaros
Via the New York Times: "The Hungarian director Gyula Gazdag has transposed the middle section of Balzac's "Lost Illusions" from Paris in the mid-19th century to the Budapest of 1968... it tells of Laszlo Sardi - Balzac's Lucien Chardon - and his efforts to launch his literary career amid the snobbery and sophistication of a big city."
Lost Illusions
Csajok
Ildikó Szabó
Enikő Eszenyi, Dorottya Udvaros
Enikős and Dorkas marriage is unbearable. Hysterical, cruel and humiliating scenes are enacted in front of the childrens eyes, while the childless Barbara is held by her husband, the painter, to be a toy and sometimes a painting screen.
Bitches
