Lauri Nurkse
1978 (46 лет)Raja 1918
Lauri Törhönen
Martin Bahne, Tommi Korpela
The young man must set up a clear border between Finland and Russia, white and red, enemy and friend, us and them. While the task seems clear he finds out the execution of his command in concrete situations is very difficult. Right choices turn out to be wrong ones and correcting them make things worse.
The Border
Cyclomania
Simo Halinen
Tommi Mujunen, Elena Leeve
K and Eetu are the best friends. They work together as bike couriers in the center of Helsinki, and training tightly every night to reach success of bicycle racing. However, life will change once and for all when a charming and resolute student girl Oona is coming to work in same courier company.
Cyclomania
Tappajan näköinen mies
Lauri Nurkse
Samuli Edelmann, Krista Kosonen
Viktor Kärppä was forced involuntarily in the middle of Russia's internal power struggle. Soon bunch of assassins as well as Security Police are trying to catch Kärppä. Kärppä's family is also in great danger. In order to save themselves and their families they need to resort to Kärppäs friend, the police Korhonen , as well as his brother Aleksei.
The Look of a Killer
1944 The Final Defence
Åke Lindman
Rauno Ahonen, Mikko Bredenberg
The Soviet army breaks through the Finnish defences on the Karelian Isthmus in June 1944, advancing with overwhelming force. Somehow, the Finnish troops must find the strength to fight back, with all odds against them. The Battle of Tali-Ihantala was the largest battle ever fought in the history of the Nordic countries. This film depicts the true events through five separate stories.
1944 The Final Defence
Veijarit
Lauri Nurkse
Mikko Leppilampi, Antti Luusuaniemi
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
Hustlers
Ollaan vapaita
Oskari Sipola
Maria Ylipää, Johannes Brotherus
Selja is in her thirties and lives in a shared flat with her friends. One day a boy appears at her door; a boy she gave up for adoption sixteen years earlier. Selja has a chance to get to know her son, but at the same time, makes a complete mess of her and her best friends’ lives. Urban Family is a new kind of music film set in the modern-day world.
Urban Family
Minä ja Morrison
Lenka Hellstedt
Irina Björklund, Samuli Edelmann
A bittersweet tale of a love affair between two people whose lives seem to have lost all direction. The female lead, Milla, is drifting aimlessly through life until she meets Aki. They fall in love - but happiness in a relationship shadowed by crime and drugs is not necessarily a given. The movie is based on the novel Minä ja Morrison by first-time author Kata Kärkkäinen
Me and Morrison
Vuosisadan häät
Marja Pyykkö
Outi Mäenpää, Matleena Kuusniemi
A celebrity psychiatrist struggles to find a date for a wedding. Her dearest ex is getting married and she needs to find someone fancy enough to hide the fact that she is lonely, drinks too much and is pretty fucked up in any imaginable way.
Wedding of the Century