
Sara Lazzaro
1900 (125 лет)The Law According to Lidia Poët
Letizia Lamartire, Matteo Rovere
Sara Lazzaro, Matilda De Angelis
In late 19th-century Turin, the young Lidia Poët, fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers. A profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.
The Law According to Lidia Poët
18 Presents
Francesco Amato
Benedetta Porcaroli, Vittoria Puccini
Elisa is only forty when an incurable disease takes her from her husband and their daughter. Before her heart stops, Elisa finds a way to stay close to her: a gift for every birthday up to her adult age, 18 gifts to try to accompany her child's growth year after year.
18 Presents
Siccità
Paolo Virzì
Gabriel Montesi, Sergio Valastro
In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.
Dry
Caserta Palace Dream
James McTeigue
Kasia Smutniak, Richard Dreyfuss
The greatest dream of a unique woman, Maria, future Queen of Spain and wife of Charles King of Naples and Sicily and of a special man, the greatest architect of his time, Luigi Vanvitelli. Their Love goes beyond their own human existence and becomes real in the immeasurable beauty of the Royal Caserta Palace.
Caserta Palace Dream
The Young Messiah
Cyrus Nowrasteh
Adam Greaves-Neal, Sara Lazzaro
Tells the story of Jesus Christ at age seven as he and his family depart Egypt to return home to Nazareth. Told from his childhood perspective, it follows young Jesus as he grows into his religious identity.
The Young Messiah
The Elevator: Three Minutes Can Change Your Life
Massimo Coglitore
James Parks, Caroline Goodall
A disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.
The Elevator: Three Minutes Can Change Your Life