Tonie Marshall
1951 - 2020Cinéast(e)s
Julie Gayet, Mathieu Busson
Mona Achache, Lisa Azuelos
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Cinéast(e)s
Attends-moi pour commencer
Pierre Sabbagh
Danielle Volle, Michel Roux
Viviane would like Eric to put a ring on her finger. The latter inexorably refuses. Norbert, his best friend and upstairs neighbor, has just married Rose, but seems to regret it. The eternal debate on marriage leads to a war of the sexes.
Attends-moi pour commencer
Beau temps mais orageux en fin de journée
Gérard Frot-Coutaz
Xavier Deluc, Tonie Marshall
This slice-of-life drama about an elderly couple and their estranged son covers twenty-four fateful hours that begin with the usual daily routine for the retired pair of former teachers (Micheline Presle and Claude Pieplu). Then their son telephones to say he will be coming over with his girlfriend and the normal pattern is changed, as he visits them rarely. While the mother is obsequious to her son when he arrives, past hurts and resentments bubble up during lunch, making it difficult for the son to tell them he is getting married. This is news enough, but the effect that announcement has on the son and his fiancée is unexpected and events later on in the day take a turn for the worse.
Beau temps mais orageux en fin de journée
Qui trop embrasse...
Jacques Davila
Anne Wiazemsky, Andrzej Seweryn
How couples unite, interact, separate, reunite or find other partners. The links in this chain begin with Christian and Nathalie, who are coworkers and friends. Christian discovers that his lover Francoise is having an affair, and Nathalie advises him to give his feelings some time to heal, about two years. Nathalie is angry that her lover Mark does not want to see her more often, while he is jealous of the men in her past. Meanwhile, Francoise finds out that her new lover is not that interested in her anymore, and after they split, she encounters him with someone else. As romance fluctuates like the lunar tides, the myth of one true love takes a beating.
Qui trop embrasse...
Une pure coïncidence
Romain Goupil
Alain Cyroulnik, Romain Goupil
A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.
Purely Coincidental
La campagne de Cicéron
Jacques Davila
Tonie Marshall, Michel Gautier
In this romantic farce, former opera-singer and current music festival organizer Hermance (Judith Magre) is married to Charles-Henry (Jean Roquel). However, she still has a passion for her former lover Simon (Carlo Brandt), but he has a thing for Francoise (Sabine Haudepin). Meanwhile, Nathalie (Tonie Marshall) keeps trying to put the moves on Hippolyte (Jacques Bonnafe), who is either unaware of or is ignoring her efforts, while her lackluster former lover Christian (Michel Gauthier) looks on and stays out of the whole mess. Who comes out the worst in this deal? Naturally enough, it's Christian, the fellow who has, for good or ill, kept the most distance from it, when Hermance, who seems jealous of everyone, tries to get even with Simon for running off with Francoise. Don't worry, it's supposed to be confusing.
La campagne de Cicéron
The Under-Gifted
Claude Zidi
Daniel Auteuil, Michel Galabru
The story centers around a graduating class of "less-gifted" students in a private Versailles high school. Only a miracle has brought the students this far along, and after a practical joke misfires and the whole school is dynamited, the students are in deep trouble. They have to present themselves in court for their punishment and it could not be worse: If they don't pass their high-school graduation exams, they go to prison!
The Under-Gifted
Pour rire!
Lucas Belvaux
Ornella Muti, Jean-Pierre Léaud
Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.
Just for Laughs
Pas très catholique
Tonie Marshall
Anémone, Christine Boisson
A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.
Something Fishy
Venus Beauty Institute
Tonie Marshall
Nathalie Baye, Bulle Ogier
Madam Nadine manages with pride the "Vénus Beauté" Salon which offers relaxation, massage and make-up services. The owner and her three beauticians: Samantha, Marianne and Angèle are pros. Contrary to her friend Marianne, who still dreams of the big day, Angèle no longer believes in love. Marie, the youngest of the three employees, discovers love in the hands of a sixty year-old former pilot, who risks everything...
Venus Beauty Institute
Jean Paul Gaultier: Freak & Chic
Yann L'Hénoret
Jean Paul Gaultier, Tonie Marshall
Inspired even as a boy by the Folies Bergere, the legendary Paris cabaret venue, couturier Jean-Paul Gaultier always wanted to stage a show there. "But what story can I tell?" he muses in this doc about the six months of preparation that went into the show. "Mine." Combining fashion with film, dance, theater, and unapologetic over-the-top-ness, the revue offers a 40-year career retrospective of the designer who is practically never spoken of without using the phrase enfant terrible. Notorious among cinephiles for his costumes for The Fifth Element and The Cook, The Thief, His Wife, and Her Lover and among pop fans for Madonna's pointy cone brassiere, he also incorporated teddy bears and S&M fetish gear as design motifs. In the show, the fanciful and outrageous meets the naughtily witty (a skit sending up Vogue dragon lady Anna Wintour) and the poignant (a tribute to his partner Francis Menuge, who died in 1990).
Jean Paul Gaultier: Freak & Chic
Enfants de salaud
Tonie Marshall
Jean Yanne, Anémone
Sylvette, a sassy waitress, Sandro, a macho guy, Sophie, a shy bourgeoisie, and Susan, an American actress, do not know each other and do not have much in common. However, they all have the same father, a scammer named Julius.
Enfants de salaud
