Róbert Koltai

Labdaálmok

Imre Mihályfi

Ari Bery, Czinkóczi Zsuzsa

Vuk

Attila Dargay

László Csákányi, Judit Pogány

A tale about a little fox Vuk from the novel of the famous Hungarian writer István Fekete.

Indul a bakterház

Sándor Mihályfy

Imre Olvasztó, Róbert Koltai

The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.

Brigitta

Dagmar Knöpfel

Carl Achleitner, Tamás Jordán

Adaptation of Adalbert Stifter's novella.

Csapd le csacsi!

Péter Tímár

Pap Vera, Sándor Gáspár

The story happens in 1989 in the suburbs of Budapest, where the neighbor maintains an underground worker's guard training base, while the youngsters fall victim to a mistakenly posted letter.

Sose halunk meg!

Róbert Koltai

Róbert Koltai, Mihály Szabados

This story has a horse-race fan main character who sells clothes-hangers On one trip, a young, teenager boy relative goes with him. They have a lot of adventures as they become friends. Girls, dance and horse-racing are the themes while they sell the clothes-hangers this summer...

A legényanya

Dezső Garas

Károly Eperjes, Dezső Garas

In the small village of Rátót, every male is called Béla. When a woman gives birth to her child, she names him Józsi...

Egészséges erotika

Péter Tímár

Rajhona Ádám, Róbert Koltai

In the box factory standing in the middle of nowhere only women work, and they themselves only waste their time, as the unmarketable boxes pile up in the yards. The fireman in duty, who stores stolen gasoline in the inflammable plant, sets up cameras in the women's locker room the sake of 'business'.

Kihajolni veszélyes

János Zsombolyai

Nándor Tomanek, Gyula Bodrogi

At the station of Almamellék the semaphore turns red unexpectedly and the conductor shows a stowaway - with no money nor ticket - off the train. The stowaway has to undergo a serious and long investigation that tries to uncover the reasons for his "deed". In the meantime he can watch, like a spectator in a movie-theatre, how Kerek József, the strutting stationmaster rules his ridiculous empire through office bureaucracy, indifference, servility and negligence.

C.K. Dezerterzy

Janusz Majewski

Marek Kondrat, Wiktor Zborowski

Set in military barracks in a small town during World War I. The soldiers herded in the barracks are 'politically suspect' mix of characters from all over of the Austro-Hungarian Empire: Czechs, Jews, and even Italians, but officers in charge are Germans. A new lieutenant arrives with the mission to bring order to the unit. He is the sadist, enjoying humiliating the men. Fed up with his behaviour the lower ranks kidnap him one night and string him up in a public toilet. They also make sure that he fouls up during the inspection. Eventually the five ring leaders are imprisoned. They escape and end up in Budapest posing as guards as guards of veterinary surgeons. They are caught and sent back to face a court martial and their old tormentor.

Ártatlan gyilkosok

Zoltán Várkonyi

Péter Huszti, László Tahi Tóth

Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.

Panelkapcsolat

Béla Tarr

Judit Pogány, Róbert Koltai

Using verite conventions, a young couple with a baby and a child are worn away by the monotony of their lives.

A trombitás

János Rózsa

Ferenc Fábián, Ferenc Bencze

In the late 17th century, Hungary moved from Turkish to Austrian domination, becoming a key part of the Austro-Hungarian Empire. In this story, which takes place shortly after that time, three outlaws murder a group of people on their way to a wedding. One young man was a slave travelling with the group to entertain them with his skills as a trumpeter. The outlaws spare him for the same reason. He allows himself to believe that they are really an unattached group of independence-fighters, but after seeing their brutal and callous ways, he cannot believe that they are good men, and he turns them in to the authorities. At that point, he is unnerved to discover how nobly they bear the rigors of captivity. ~

Pókfoci

János Rózsa

József Madaras, Rajhona Ádám

This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.

Csók, Anyu!

János Rózsa

Róbert Koltai, Dorottya Udvaros

Contemporary genre-painting of a Hungarian "middle class" family of four. The scene is the villa apartment almost finished, where the tourist guide mother, father who also works for the second economy and the lonely big girl preparing for her maturity examination turn up alternatively. It is only the teen-ager boy who really "lives" in this place: instead of attending school he stays home all day and observes the life of the surrounding by a self-made periscope. Internal communication of the family is accomplished in writing, on the pin-up board in the kitchen.

Volt egyszer egy család

György Révész

Éva Ruttkai, Zoltán Latinovits

This film describes the narrator's childhood, the years before and after the Hungarian Soviet Republic, in a burlesque and fabulous style and with the humour of a child's fantasy.