Veronika Jeníková
1964 (61 год)
All Quiet on the Western Front
Delbert Mann
Ричард Эрл Томас, Ernest Borgnine
At the start of World War I, Paul Baumer is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside.
All Quiet on the Western Front
Bony a klid
Vít Olmer
Jan Potměšil, Veronika Jeníková
Martin is an innocent lad from small-town Mlada Boleslav who comes to big-city Prague, hoping to exchange his krona for deutschemarks so that he can visit Germany. A local spiv named Robert obliges Martin, but at an unfair exchange rate. When Martin finds out he was rooked, he plans revenge on Robert ... but then decides to join Robert's gang instead.
Bony a klid
Pásla kone na betóne
Štefan Uher
Emilia Zimková, Veronika Jeníková
Johanka had a fling with a well digger she had not met before and who, she was most likely certain, would never be around again. Just before his departure, they have sex and she eventually becomes single mother of a baby girl. 18 years later her (now 18-year-old) daughter Paulina commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulina take up residence in the city. Johanka, prodded by her also-single friend Jozefka who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek only to discover later that he is married. Paulina, in the meantime, loses her virginity to the soldier Jirka who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see.
She Kept Asking for the Moon
Oběti a vrazi
Andrea Sedláčková
Karel Roden, Ivana Chýlková
Two half-siblings Jana and Miroslav are ineffectually trying to escape their mutual attraction and break free from their fatal relationship. Two time levels, presence and 1970s, inter-mesh in the film.
Victims and Murderers
