James Hill
1919 - 1994James ("Jimmy") Hill (1 August 1919 - 7 October 1994) was a British film and television director, screenwriter and producer whose career spanned 52 years between 1937–1989, best remembered for his documentaries and short subjects such as Giuseppina and The Home Made Car, and as director of the internationally acclaimed Born Free.
Hill also directed, produced and/or wrote such diverse films as Black Beauty, A Study in Terror, Every Day's a Holiday, The Lion at World's End (aka Christian the Lion), Captain Nemo and the Underwater City, The Man from O.R.G.Y., and the children's television series' Worzel Gummidge and Worzel Gummidge Down Under.
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The Lions Are Free
James Hill, Bill Travers
George Adamson, Virginia McKenna
The true life sequel to the movie classic Born Free. The actors from the movie Born Free, Bill Travers and Virginia McKenna, with the help of their friend legendary conservationist George Adamson, reveal what became of the lions used in the filming of the popular movie classic Born Free.
The Lions Are Free
Born Free
James Hill
Virginia McKenna, Bill Travers
At a national park in Kenya, English game warden George Adamson and his wife, Joy, care for three orphaned lion cubs. After the two larger lions are shipped off to a zoo in the Netherlands, the smallest of the three, Elsa, stays with the couple. When Elsa is blamed for causing an elephant stampede in the nearby village, head warden John Kendall demands the young lion either be trained to survive in the wilds of the Serengeti or be sent to a zoo.
Born Free
The Home-Made Car
James Hill
Ronald Chudley, Caroline Mortimer
The Home-Made Car is a 1963 short film directed by James Hill about a young man who rebuilds a vintage car and finds love. Made in and around Farnborough, Hampshire, it became a cult success when regularly broadcast as a trade test colour transmission on the run up to the start of BBC2 colour transmissions. The film was nominated for an Oscar for Best Live Action Short Film.
The Home-Made Car
London Conspiracy
James Hill, David Greene
Roger Moore, Tony Curtis
Life is never dull where Lord Brett Sinclair and Danny Wilde are concerned. But who would expect dire danger, hilarious though it may be, to face them in one of Brett's baronial homes? Even more unexpectedly, murder and black magic take place when Danny decides to own his own little piece of England and buys a tumble down old cottage. The old mansion, Greensleeves, has been in the Sinclair family for generations, but has been unoccupied for a long time except for an aged butler named Moorehead. It is only by chance that Brett discovers that it has been restored without his permission. He and Danny decide to investigate and, entering through a secret tunnel, find a letter addressed to a theatrical agent asking him to an actor who resembles Brett. Brett promptly poses as the actor and gets the job of impersonating himself. Danny and Brett have a lot to overcome before Danny can enjoy his little piece of England!
London Conspiracy
The Wild and the Free
James Hill
Granville Van Dusen, Linda Gray
Two scientists involved in chimpanzee research -- one maintaining that the animals should be kept in their native habitat in Africa without human interference, the other trying to train them in sign language in a domesticated atmosphere -- join forces when they learn that the government plans to cut off the language grant and use the chimps for radiation research.
The Wild and the Free
The Man from Nowhere
James Hill
Sarah Hollis Andrews, Ronald Adam
The Man from Nowhere is a beautifully told Victorian gothic thriller from acclaimed director James Hill. Young orphan Alice has been invited by her rich uncle to live in his country mansion but she soon finds herself persecuted by the apparent visitations of an unsettling stranger. Who is this man from nowhere and just why is he tying to scare her away?
The Man from Nowhere
A Study in Terror
James Hill
John Neville, Donald Houston
When Watson reads from the newspaper there have been two similar murders near Whitechapel in a few days, Sherlock Holmes' sharp deductive is immediately stimulated to start its merciless method of elimination after observation of every apparently meaningless detail. He guesses right the victims must be street whores, and doesn't need long to work his way trough a pawn shop, an aristocratic family's stately home, a hospital and of course the potential suspects and (even unknowing) witnesses who are the cast of the gradually unraveled story of the murderer and his motive.
A Study in Terror
