Kinya Ogawa
1934 (91 год)
女子大生レズ 暴姦の罠
Kin'ya Ogawa
Ayumi Kimino, Yuzu Hoshino
The industrial group's boss, Fujita, has used bad means for the prosperity of his company. In recent years, he tried to take over a rival company, but failed, and he was noticed by the prosecution. He was driving to a villa in the mountains to destroy evidence, and on the way he encountered a fallen woman, Tomoko, and took him with him. After learning that Tomoko, who had regained consciousness, tried to commit suicide, Fujita sympathized a little and offered a guidepost to live as a concubine if she wanted to die anyway. Push Tomoko who resists to the bed and fulfill her desire. The next day, the company contacts me and finds out that I'm going to get rid of it. Fujita, who is impatient, tries to return immediately, but when Tomoko, who has become obedient overnight, sees her carrying coffee in a naked apron, she forgets to go home and plays with her and tastes it again.
Joshi daisei les: Bôkan no wana
5人の女 愛と金とセックスと...
Kin'ya Ogawa
Kana Suzuna, Nao Mizuki
An eros drama depicting a poor man who seeks true love while drowning in the desires and pleasures of five women who flock to a millionaire man. Gohei who inherited his uncle's legacy and became a millionaire. After hearing the story, his wife's first child and Kojima, who is having an affair, plan to sneak his fortune.
Gonin no onna: Ai to kane to sex to...
うたかたの想い
Kin'ya Ogawa
Koizumi, a high school track and field coach, was enthusiastic about the talent of marathon runner Shizuo and his dreams of becoming an international runner. However, after graduating from high school, Shizuo, who failed to take the entrance examination, became an office clerk in Tokyo, while being loved by a male customer. Koizumi went to Tokyo and resumed Shizuo's training. Koizumi confessed his feelings for Shizuo, and the two thereafter began a love affair.
Utakata no omoi
ピンクリボン
Kenjirô Fujii
Kiyoshi Kurosawa, Kōji Wakamatsu
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
Pink Ribbon
怪談バラバラ幽霊
Kin'ya Ogawa
Reiko Akikawa, Miki Hayashi
Masako, the young lady of the family estate, returning from overseas following the death of her diplomat father. She had originally left in opposition to his second marriage to the avaricious Tomoko, who now parades her new lover Goro around the house as if it were her own. When the family lawyer informs the gathered masses that it is Masako who is the legal inheritor of the entire estate, her elder sister Sumie and fiance Shinjiro join Tomoko and Goro in hacking up the unfortunate heiress with an axe. It is not long before the assorted pieces of Masako begin cropping up to drive them all insane, followed by her apparition in the traditional white smock with eyes peering wildly through straggly black hair.
The Dismembered Ghost