Tso Kea
1916 - 1997魂归离恨天
Tso Kea
Cheung Ching, Cheung Ying
Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.
Love Lingers On
慈母心
Tso Kea
The sins of the patriarch filter down to the next generation in Tso’s adaptation of Henrik Ibsen’s play, Ghosts. Eighteen years after he was sent overseas by his suffering mother (Wong), the son (Cheung) of an affluent household returns as a shadow of himself – both physically and spiritually – before unwittingly falling for his philandering father’s illegitimate daughter (Ha), conceived through the rape of a housemaid. No doubt ironically titled, Motherhood presents a restrained subversion of the Cantonese family melodrama tradition.
Motherhood
黛綠年華
Tso Kea
Ng Cho-Fan, Cheung Ying
Han Xiangying temporarily resides at her classmate Fan Daini's resplendent mansion. Mrs Fan eggs her on to attend a party at which she is raped by a rich businessman. It turns out that Mrs Fan is in fact a procuress exerting control over her three daughters of the ruined family. Han manages to escape the clutches of Mrs Fan with the assistance of the honest young man Gong Liqun.
The Tender Age
Jinshan dashao
Tso Kea
Cheung Ying, Yeung Sai
After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.
The Chair
Xuan gong yan shi
Tso Kea, Chen Zhi Kang
Cheung Ying, Yanqing Luo
Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.
My Kingdom for a Husband
