Shireen Seno
2021
Big Boy
Shireen Seno
Ian Lomongo, John Lloyd Evangelista
BIG BOY is a coming-of-age tale about a boy and his family in 1950s Mindoro, Philippines, and how he is groomed into becoming the poster boy for his parent's home-based business. The film is an experimental portrait of a family amidst change -- an experience that will engage audiences in something strange but familiar.
Big Boy
To Pick a Flower
Shireen Seno
Shireen Seno’s video essay explores the transformation and commodification of nature through archival photographs from the American colonial occupation of the Philippines in the first half of the 20th century. These images testify to what the voiceover calls “the sticky relationship between humans and nature and their entanglements with empire”—an ambivalent dependence on natural resources that drives the colonial project and implicates photography, with its concurrent processes of preservation, transmutation, and destruction.
To Pick a Flower
A child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off
Shireen Seno
Originally exhibited as a six-channel installation, this ongoing work is comprised of a series of studies of the migration of birds in and out of the Philippines, a kindred project to a feature-length film inspired by memories of my father’s migration to the United States in the early 2000s. Birds, and ducks in particular, are like role models for humans— they find ways to survive by various means across varied terrain. I hope to bring together a mix of local birds and migratory ones, migrating across different generations of moving image media.
A child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off
