Cyril Collard
1957 - 1993Cyril Collard (French: [kɔlaʁ]; 19 December 1957, Paris − 5 March 1993, Paris) was a French author, filmmaker, composer, musician and actor. He is known for his unapologetic portrayals of bisexuality and HIV in art, particularly his autobiographical novel and film Les Nuits Fauves (Savage Nights). Openly bisexual, Collard was also one of the first French artists to speak openly about his HIV-positive status.
À Nos Amours
Maurice Pialat
Sandrine Bonnaire, Maurice Pialat
Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.
A Nos Amours
Savage Nights
Cyril Collard
Cyril Collard, Romane Bohringer
Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.
Savage Nights
Alger la blanche
Cyril Collard
Frédéric Deban, Ali Baouche
Farid, a teenager of Algerian descent, spends his free time hanging out with the wrong crowds in the suburbs south of Paris while maintaining a secret relationship with illustrator Jean. Both Jean and Farid are unsure about the future of their relationship - Farid wants Jean to move to Algiers with him, but Jean doesn't want to continue being Farid's secret. But when Farid becomes embroiled in a police matter, both his passionate private life and conservative family life hurtle towards one another, with explosive results.
Alger la blanche
Topologie de l'invisible
Angelin Preljocaj, Cyril Collard
Frédéric Werle, Xavier Nickler
"Angelin Preljocaj, Topologie de l'invisible" offers 3 films corresponding to 3 choreographies. 1.- Annonciation (2003), directed by Angelin Preljocaj. Annonciation dances the encounter between the Angel Gabriel and Mary, when the angel announces that she is God’s chosen one – an essential scene of conception, of the birth of faith and culture. 2.- Les Raboteurs (1988), directed by Cyril Collard. A contemporary couple in an empty room in a Parisian. They talk of love, vision, points of view and illusion. Is what these three dancers on the wooden have frozen in space with their choreographed movements and the positions of the three workers in Gustave Caillebotte’s painting The Floor Scrapers? 3.- Un trait d'union (1992), directed by Angelin Preljocaj. Adaptation of La Chambre by Jean-Paul Sartre. A story of a woman who has married and her second husband has turned insane. Her whole surrounding urges her to let the man be transported into an asylum, yet she refuses.
Topologie de l'invisible
