Oldřich Nový
1899 - 1983Following his fifteen year stay, Oldřich co-founded the "Nové divadlo" (The New Theatre) together with his wife Alice Valentová-Nová. There he explored new and modern expressions of theatre by combining spoken word with operetta stylings to develop the "musical comedy" genre. In 1937 he met and began collaborating with renowned pre-war director Mac Frič. Their first success came in 1939, with the comedy Kristián, the first of many popular comedies starring Nový. During the German occupation of Czechoslovakia, Oldřich Nový became a target of the Nazi party, both for his celebrity, and his wife’s Jewish ancestry. In 1944, after refusing to divorce, the couple was imprisoned in the the German concentration camp in Osterode. Following the liberation, Nový worked a dramaturge of Czechoslovakian film until the 1960s, when he began appearing on Czech television in the popular television series, "Taková normální rodinka" (1967-1971). His last theatre role was a title character of the play "Hodinový hoteliér" by Pavel Landovský, directed by Evald Schorm. During this time, Nový again collaborated with Mac Frič to create successful comedies, both conformist and parody, but these films are of minor note to his career. In his later years, Nový lived a life of isolation to avoid his celebrity status, almost never leaving his home.
Eva tropí hlouposti
Martin Frič
Nataša Gollová, Oldřich Nový
Eva's aunt is jealous of her neighbor's excellent roses and wants to know the secret. To help auntie out Eva applies for secretarial work at the neighbor's house in order to find out the formula. Things get complicated when it turns out that Eva's brother is in love with the daughter of the house and also wants to get in there under false pretenses.
Eva Fools Around
Kristian
Martin Frič
Oldřich Nový, Nataša Gollová
Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.
Kristian
Baron Prášil
Martin Frič
Vlasta Burian, Meda Valentová
Fifty years old Baron von Fibberg lives at The Fibberg Castle with his wife Olga and daughter Charley. Besides the delight in hunting, Baron is very enthusiastic about truth. Although he can't withstand any falsehood of others, he keeps his own intimate secrets from his wife. Charley seems to be an innocent girl at first glance, but she has a little secret too. She fell in love with a young fop Ernest Benda and married him in secret. Her only concern is the way, how to let her strict father know about the marriage. Together with her husband they prepare a plan how to do it, but it turns out to be a catastrophe for the whole family.
Burian the Liar
The Phantom of Morrisville
Bořivoj Zeman
Oldřich Nový, Vít Olmer
Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.
The Phantom of Morrisville
