
Gene Siskel
1946 - 1999Life Itself
Steve James
Stephen Stanton, Roger Ebert
The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.
Life Itself
Don't You Forget About Me
Matt Sadowski-Austin
David Anderle, Mike Bender
Throughout the ’80s John Hughes defined the teen movie genre and spoke not only to that generation’s teens, but every generation that has followed. Then in 1991 he hung up his director’s hat and disappeared into obscurity ala J.D Salinger. In 2008, a group of young Canadian filmmakers set out to complete a documentary about the man with what they hoped would culminate with an interview, which would be his first since 1999.
Don't You Forget About Me
AGFA MYSTERY MIXTAPE #3: SEQUELITIS
Robert Englund, Michael Caine
Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #3: SEQUELITIS is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For our third tape, we’re diving into the most controversial, hotly debated topic of all time: HORROR SEQUELS! Thank you for your generous support during these difficult times. And remember: “This makes Guns N’ Roses look like THE BRADY BUNCH.”
AGFA MYSTERY MIXTAPE #3: SEQUELITIS
A Confessional Documentary
Gene Siskel
Gene Siskel
A Confessional Documentary is a 1-minute long short film directed by noted film critic Gene Siskel, originally shown alongside his partner Roger Ebert's short film (Citizen Yuppie) on the 1987 broadcast of their annual Holiday Gift Guide program. It was shot entirely on a (then-new) Fisher Price PixelVision PXL2000 low-fidelity camcorder in monochrome on compact audio cassette, inspiring Richard Linklater to utilize the same technique in his 1991 feature SLACKER. The film recontextualizes the image of Roger Ebert's face to provide some humorous jabs at the nature of film criticism.
A Confessional Documentary