Karl Heinz Lotz

Rückwärts laufen kann ich auch

Karl Heinz Lotz

Peggy Langner, Roland Kuchenbuch

Seven-year-old Kati is glad that despite her spastic disability she is allowed to attend a normal school. Her parents made that possible. In her first year there, she is supposed to prove that she can get along at the school and she does her utmost to keep up with her classmates. Her disability, however, is greeted with constant mockery and disrespect. Even her teachers have a hard time treating her equally. When Kati fails math, she has to attend a special school. Katie is devastated but her friends help her to cope with the new situation.

Das Pferdemädchen

Egon Schlegel

Märtke Wellm, Wolfgang Winkler

Der Eisenhans

Karl Heinz Lotz

Dirk Schoedon, Gundula Köster

In a king's kingdom there is a forest so dangerous that every man who goes into it is never heard from again. Iron Hans, who is responsible for the deaths, is found at the bottom of a lake and locked up in the king's palace

Paunch and I

Karl Heinz Lotz

Carmen-Maja Antoni

Nine years old Flori must deal with a lot of problems after his father leaves the family.

Trillertrine

Karl Heinz Lotz

Maria Ferrens, Peter Raasch

To gain lands from the prince of Saxony, a group of orphans seeks Mozart, in order to obtain the very rare score of one of his compositions.

Junge Leute in der Stadt

Karl Heinz Lotz

Mirko Haninger, Maria Probosz

Directed by Karl-Heinz Lotz.

Unsere bösen Kinder

Karl Heinz Lotz

A film about five street children; children who have had to grow up too soon. The footage was shot at Christmas 1992, in Berlin. Claudia, 13, wants to show her mother "that kids can do what they want". 13-year-old Danny thinks Germany’s lousy, having lived on the streets for two years. His mother doesn’t try to contact him any more. Jonas, 13, is convinced that a bright future lies ahead of him. He shifts between his parents’ house and the streets, but feels most at home in a street riot. 13-year-old Daniela doesn’t want to leave home, despite suffering at the violent hands of her father. We meet her in a women’s refuge centre. David, 13, shows the director, his father, first-hand what street children go through and the pain they inflict upon their parents.