Abla Kamel

عرق البلح

Radwan El-Kashef

Sherihan, Mohamed Nagati

This film is an exploration of what happens to places in general, and people in particular, once the menfolk abandon an Egyptian village to investigate the greener-grass on the proverbial 'other side'. The womenfolk, those too old and those too young are left behind... and as the years pass, only letters return, telling tales of loneliness and hard-times. A young man, Ahmed, grows-up under these surroundings and has to deal with being the de-facto man-in-charge; when several of the migrant workers return one day, everyone has to come to terms with things being forever changed.

Summer Thefts

Yousry Nasrallah

Ahmad Mohamad Ahmad, Menha El Batrawy

Set in the summer of 1961 during President Nasser's land reforms, this is a story of the childhood friendship between Yasser, the son of a bourgeois landowner, and Leil, the son of an Egyptian peasant. When turbulent times tear Yasser's family apart, the boys team up for a money-making scheme that results in misadventures.

سيداتى انساتى

Raafat El-Mihi

Mahmoud Abdel Aziz, Maaly Zayed

The story revolves around Dr. Mahmoud, who has a doctorate and earns less than the company's courier, Dr. Mahmoud decides to work as a courier to raise his salary. Four female employees of the company decide to marry Dr. Mahmoud once to overcome the housing crisis and the various economic crises, Provided they remain in their hands, two of them release Dr. Mahmoud to marry two other people and live in the same apartment.

The Sixth Day

Youssef Chahine

Dalida, Mohsen Mohie Eldein

Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.

للحب قصة أخيرة

Raafat El-Mihi

Maaly Zayed, Yehia El-Fakharany

Refat is a teacher with a heart disease, who marries the poor girl Salwa, despite the opposition of his mother who is trying to persuade him to divorce her in exchange for his share in the inheritance. Salwa resorts to holy people hoping to cure her husband.

اللي بالي بالك

Wael Ehsan

Abla Kamel, Hassan Hosny

Ellambi how stole from his uncle and go to prison and then he escaped from prison and during the hunting he makes an accident

المدينة

Yousry Nasrallah

Bassem Samra, Amr Saad

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

نهر الخوف

Mohamed Abo Seif

Mahmoud Abdel Aziz, Abla Kamel

The story revolves around a quarrel between three young men (Abdulrahman, Adel and Kamal) who were running over a girl walking in the street and between the parents of the girl. They are fans of Upper Egypt, and Abdul Rahman and his colleague get scared. They go to ride the river bus. The driver of the bus is not able to stand, and in the river bus a group of different human models, including the young mother who screams for fear of her children, three nurses and a lawyer who tells the kidnappers every moment of the punishment of these crimes, and the old man who pretends to August and goes against one of the nurses even during the kidnapping.

اللمبي

Wael Ehsan

Mohamed Saad, Hala Shiha

The effect of love on an irresponsible fellow.

إسكندرية كمان وكمان

Youssef Chahine

Youssef Chahine, Yousra

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

سارق الفرح

Daoud Abdel Sayed

Hassan Hosny, Maged El Masry

The residents of the Mokattam area are in a state of joy. Shata has been married to the dancer (Ahlam), but (Ahlam) has a lover's heart (Awad). In order to resolve the situation, Awad must arrange for the expenses of the marriage within a few days and the introduction of Ahlam's speech. Awad tries to help Awad and thinks that she is overdoing herself. Awad is committing a process closer to armed robbery and stealing his brother's clothes to sell. Ahlam is staying in an apartment of a foreigner to help her boyfriend buy the net.

Seraa al ahfad

Said Abdel Ghani, Salah El-Saadany

Three grandsons: a writer, a boxer and a businessman, set out to prove themselves in their own individual way, to impress their grandfather on his deathbed in a fight for inheritance.

مرسيدس

Yousry Nasrallah

Zaki Fateen Abdel Wahab, Magdy Kamel

Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

الفارس واﻷميرة

Bashir El Deek

Medhat Saleh, Donia Samir Ghanem

An unwavering young warrior's determination to save abducted women and children leads him to confront a brutal tyrant and his devious sorcerer.

Sawwaq el hanem

Hassan Ibrahim

Ahmad Zaki, Abla Kamel

A Lady of the royal family live and breed on the ruins of the past, her husband, son and daughter suffering from her domination and control. When she got a new driver to work with, all the family members will have different life.

التعويذة

Mohammed Shebl

Yousra, Naima El Soghier

Protagonist Mahmoud is a high school teacher, who lives with his entire family in a tiny apartment. The landlord is desperately trying to force them out to the point of enlisting the devil’s help. Like “Al-Ins wal Djinn,” the film’s opening scenes establish a sense of tension that continues to mount until, for some reason, a goat shoots a star-shaped laser out of its forehead, and everything quickly falls apart. Furniture spontaneously combusts, an invisible presence settles in Mahmoud’s apartment, and the devil rapes his wife and she thinks it’s an earthquake. Things reach their peak when, for the second time on this list, Yousra is drenched in actual chicken blood.