Hussein Haniff

Jiran Sekampong

Hussein Haniff

Rose Yatimah, Siput Sarawak

"'Jiran Sekampung' is an ambitious [social-realist] ensemble film that ties together overlapping story-strands. (...) It seeks to function like a microcosm of contemporary Malay society. There's envy and backbiting, but also love and understanding. People are conscious of status. The old are quick to judge the young. Men are socially privileged, but women sometimes make their own worst enemies." (Amir Muhammad, '120 Malay Movies', 2010)

Hang Jebat

Hussein Haniff

Nordin Ahmad, M. Amin

Inspired by a Malay legend about two friends whose relationship is tested by conflicting loyalties.

Istana Berdarah

Hussein Haniff

Salleh Melan, Fatimah Ahmad

Tells the story of two warriors, Mahfuz and Mahadi who survived when their ship was attacked by pirates. They are both stranded on a beach and later meet a fortune teller. The fortune teller told them that Mahfuz would be a powerful man in the state. Mahadi, on the other hand, will have descendants who will be from the royal family from time to time even though he is just an ordinary citizen.

Korban Kasih

Hussein Haniff

Fatimah Ahmad, Yusof Latiff

Tengku Iskandar helps to run his father's business in Singapore and is known among his friends as Ariffin. He is a hardworking and passionate young man who helps his friends in distress. He is also on good terms with Marhani who works as a nurse in a hospital in Johor Bahru. When Ariffin is assigned by his father to travel to Jakarta to manage their business there, he takes the opportunity to confess his love towards Marhani and makes a vow to return to affirm their marriage. Unfortunately, the Jakarta-bound airplane Ariffin boards crashes. No survivors are reported. Marhaini is devastated by the news and decides to take a break from work at the hospital. Ariffin's father too falls ill after hearing the tragedy. Marhani's younger sister, who is also a nurse, is employed to take care of Ariffin (Tengku Iskandar)’s father and young siblings Tengku Shah and Tengku Ngah. But the junior tengku-tengku are too much to handle for Marhani’s sister.

Gila Talak

Hussein Haniff

Wahid Satay, Fatimah Ahmad

Film Gila Talak is a Malay film published in Singapore which was then part of Malaya in 1963. Film Gila Talak published in the form of black and white film without color. The film directed by director of Gila Talak Hussein Haniff in 1963. The film is also a continuation of the movie "Masuk Angin Keluar Asap" (1963).

Dang Anom

Hussein Haniff

Nordin Ahmad, Mahmud June

Dang Anom, the beautiful daughter of Sang Rajuna Tapa, is engaged to Panglima Malang. Having fallen for Dang Anom, the Sultan makes her his concubine against her wish. Panglima Malang is helpless but manages to sneak into the palace for a secret meeting with Dang Anom. Unfortunately, they are caught and the Sultan sentences the lovers to be killed in a cruel manner. In order to save his daughter, Sang Rajuna Tapa opens the gate of the fort and lets the army of the Majapahit into the sultanate.

Mata Shaitan

Hussein Haniff

Fatimah Ahmad, Yusof Latiff

Manis and her fisherman father receive a guest named Suleiman at their humble kampung house. He is well-liked by them both and becomes a frequent visitor who helps out with the daily chores. Unbeknownst to Manis, the young man is in fact a prince-in-disguise. So a romance between a royal and a commoner blossoms, as the couple exchange teasing pantuns at the next opportunity - while gathering wood, or while tidying up the rumah ibu. All is bliss when Manis agrees to marry Suleiman in secret even after finding out his true identity. Separation of the loving pair beckons when the prince receives news from the palace and returns to his ailing father, who at his death bed agrees to a royal intermarriage between his son and a princess from a neighbouring monarchy. A family reconciliation and cursed tragedy ensue.

Masok Angin Keluar Asap

Hussein Haniff

Wahid Satay, Fatimah Ahmad

Chinta Kaseh Sayang

Hussein Haniff

Latifah Omar, Ghazali Sumantri

Normah is married to a workaholic painter who is more intent on making money out of his art than showing concern and affect for her. She couldn't care less about his artistic pursuits and spends time dolling herself up. Her beauty catches the eye of Jamal, a car salesman, who pursues her to the neglect of his work, wife and children. Initially reluctant, Normah eventually gives in to Jamal's attention and a heady adulterous affair follows. However, Jamal's wife gets wind of their illicit relationship and he promptly forsakes Normah for the security of his family. Lonesome once more, Normah [the feminist heroine of the film] doesn't take long to lose herself to the thrill of another extramarital fling, this time to a fashionable and showy young man.