Katia Ricciarelli
1946 (80 лет)Falstaff
Ronald Eyre, Brian Large
Renato Bruson, Katia Ricciarelli
This first-rate 1982 production of Verdi’s Falstaff marked the great 20th century Italian maestro Carlo Maria Giulini's return to opera conducting after more than a decade's absence. Renato Bruson leads a brilliant cast as the lovable fat knight Sir John Falstaff, going toe to toe in a series of hijinks with Katia Ricciarelli (Alice Ford) and Brenda Boozer (Meg Page).
Falstaff
Prima della felicità
Bruno Gaburro
Enzo Iacchetti, Monica Scattini
Five patients suffering from serious mental disorders, after therapy carried out at the mental health department, are entrusted to the care of Carmen who has the task of helping them resume a normal life and reintegrate into the social and working context. All of them go to live in the apartment where they are distrusted by their neighbours, intimidated by their strange habits. Only four of them will be able to regain possession of their lives, overcoming the dark tunnel into which their mind had fallen.
First Happiness
Otello
Franco Zeffirelli
Plácido Domingo, Katia Ricciarelli
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"
Otello
La seconda notte di nozze
Pupi Avati
Antonio Albanese, Neri Marcorè
When his destituite widowed sister-in-law—whom he had never stopped harbouring feelings for—and her ne'er-do-well son come to live with him after World War II, a mentally-ill farmer who spends all his time destroying unexploded ordnance scattered across the countryside finds a new purpose in his lonely life.
The Second Wedding Night
La sedia della felicità
Carlo Mazzacurati
Valerio Mastandrea, Isabella Ragonese
Dino craft practice tattoos, Bruna is a beautician; their studies are facing each other. They learn of a mysterious treasure hidden in a chair that belonged to a woman now dead.
La sedia della felicità
Gli amici del bar Margherita
Pupi Avati
Diego Abatantuono, Pierpaolo Zizzi
Bologna, 1954. Taddeo, a young man of 18 whom everyone calls Kid, dreams of becoming one of the regulars of the mythical Margherita Café, located under the portico across from his family's home. Through a ploy, he manages to get work as the chauffeur for Al, the neighborhood's most glamorous and mysterious resident. Having been taken under Al's wing, Taddeo gets to witness the adventures of Bep, who is in love with Marcella the entraineuse; the trials and tribulations of Gian, an aspiring singer and the victim of a horrible practical joke; the crazy behavior of Manuelo, a small-time robber with a sex phobia; the meanness of Zanchi, inventor of the elastic necktie; and the bizarre manias of Sarti, a ballroom dancing champion who wears his tux day and night. And Taddeo's home life is no less out of the ordinary, considering his mother is being led on by the family physician while his grandfather has fallen head over heels for a well-built piano teacher.
The Friends at the Margherita Cafe
Bianco e nero
Cristina Comencini
Fabio Volo, Ambra Angiolini
Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.
Black and White
Verdi Un Ballo in Maschera
Otto Schenk, John Vernon
Plácido Domingo, Katia Ricciarelli
This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.
Verdi Un Ballo in Maschera
