Alejo Moguillansky
2021Ai Weiwei en Buenos Aires
Alejo Moguillansky
Ai Weiwei
The documentary registers with detail this first visit to Argentina. It's a meditation on the artistic and conceptual processes that Ai Weiwei needs to think of his art. The images dialogue between the director and his instagram, revealing an intimate side, close to the people.
Ai Weiwei en Buenos Aires
Extraordinary Stories
Mariano Llinás
Walter Jakob, Agustín Mendilaharzu
X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.
Extraordinary Stories
El Teorema de Santiago
Estanislao Buisel Quintana, Ignacio Masllorens
Hugo Santiago, Mariano Llinás
In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
Santiago's Theorem
Tres fábulas de Villa Ocampo
Alejo Moguillansky, Mariano Llinás
A fugitive, a fetishist and a detective walk through a mansion built in the 19th century on the banks of the River Plate. Within its walls, there are resonances, portraits of illustrious or unknown people, books, souvenirs, furniture from different periods and styles. At the heart of this secret order is a woman who has been portrayed throughout her life by painters of the Belle Epoque, by neoclassical sculptors, by avant-garde photographers. To reconstruct the history of these women, each of the visitors will create a fable, in which the essential names of the 20th-century culture are intertwined. Among the visitor to Victoria Ocampo's mansion we can mention the architect Le Corbusier, the composer Igor Stravinsky, the writers Graham Greene, Aldous Huxley, Waldo Frank, Albert Camus... You will also hear the whisper of two young writers cementing what will be a bond that will last for decades: Adolfo Bioy Casares and Jorge Luis Borges...
Tres fábulas de Villa Ocampo
El escarabajo de oro
Fia-Stina Sandlund, Alejo Moguillansky
Rafael Spregelburd, Walter Jakob
Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.
The Gold Bug
La vendedora de fósforos
Alejo Moguillansky
María Villar, Walter Jakob
The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…
The Little Match Girl
Castro
Alejo Moguillansky
Edgardo Castro, Julia Martínez Rubio
Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.
Castro
Diario de el loro y el cisne
Alejo Moguillansky
Luciana Acuña, Gabriel Almendros
This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.
Diario de el loro y el cisne
Alejo Moguillansky to Michelangelo Antonioni
Alejo Moguillansky
Garbiñe Ortega, artistic director of Punto de Vista, devised the creation of a collective audiovisual project with the collaboration of the filmmaker Matías Piñeiro in which several filmmakers will make a filmed letter addressed to another filmmaker in the history of cinema that they did not know personally and that he was as far away as possible from his own cinema. Thus was born Las cartas que no fueron también son
Dear Antonioni
Un día de caza
Alejo Moguillansky
Luciana Acuña, Luis Biasotto
The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain
Un día de caza
