Claudio Giovannesi
1978 (46 лет)Ali Blue Eyes
Claudio Giovannesi
Nader Sarhan, Stefano Rabatti
Ostia, outskirts of Rome: the beach in winter. Two sixteen-year-old boys steal a scooter at 8 in the morning, then rob a store, all in time for getting to school at 9. Nader is Egyptian, but was born in Rome. Stefano is Italian and his best friend Brigitte, Nader’s girlfriend, is also Italian, but for this very reason Nader’s parents are against the match, and Nader runs away from home. The film describes a week in the life of a teenager who tries to subvert the values of his own family. Torn between his Arab and Italian identity, audacious and in love, like the hero of a contemporary fairy tale, Nader will have to put up with the cold, the loneliness, life on the street, hunger and fear, the flight from his enemies and the loss of his friends, before he can really understand who he is.
Ali Blue Eyes
9×10 Novanta
Sara Fgaier, Claudio Giovannesi
The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.
9×10 Ninety
Wolf
Claudio Giovannesi
Wolf Murmelstein, David Meghnagi
Rabbi Benjamin Murmelstein (1905-1989) was head of the Jewish Council of the artificial ghetto of Terezín (Theresienstadt in German). The Nazis made him representative of the community destined for extermination. Victim of a tragic contradiction, after the Liberation he was tried and absolved from the accusation of collaborating with the Nazis; he moved to Rome, where he was ostracized by the Jewish community until he died. His son Wolf devoted his life to redeem his image, trying to paint a more complex picture of the role his father played in Terezín. The film reconstructs through the conversation between Wolf and the psychoanalyst David Meghnagi a son's relationship with the memory of his father, between the acceptance, the denial, and the thematization of a common and familiar tragedy.
Wolf
