René Jodoin
2021Spheres
René Jodoin, Norman McLaren
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Spheres
Notes on a Triangle
René Jodoin
In this short animation film the triangle achieves the distinction of principal dancer in a geometric ballet. The triangle is shown splitting into some three hundred transformations, dividing and sub-dividing with grace and symmetry to the music of a waltz. The film's artist and animator is René Jodoin, whose credits include Dance Squared and several collaborations with Norman McLaren.
Notes on a Triangle
Rectangle & Rectangles
René Jodoin
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Rectangle & Rectangles
Alouette
René Jodoin, Norman McLaren
This animated short co-animated by René Jodoin and Norman McLaren was produced for inclusion in the Let's All Sing Together sing-along series. It illustrates the popular song Alouette, gentille alouette. The technique used is single-frame animation of paper cutouts.
Alouette
Bandwidth
René Jodoin
Jack Curran
This film combines colour, animation and sound to clarify principles of radio wave transmission. It illustrates how antennas propagate radio waves and how they may be adapted to increase the bandwidth of transmissions. (The film was released for general use as a public service by the Royal Canadian Air Force.)
Bandwidth
Question de Forme
René Jodoin
In this film, which takes place to the rhythm of Schubert's Military March, the point, this first form, by its multiplication and the chosen orientations, allows us to see how it can be chained to form lines, shapes, surfaces, to form ensembles that ultimately occupy the entire surface of the screen.
A Matter of Form