Mara Mattuschka

Rococo comes to the Islands of the Huzzis

Hans Werner Poschauko, Mara Mattuschka

Andreas Karner, Hans Werner Poschauko

A despotic youth spends his vacation oppressing the peaceful inhabitants of an island with his evil fantasies.

Cerolax II

Mara Mattuschka

Mara Mattuschka

Mimi Minus, the star, advertises a new, sticky, black, brain-cleaning agent. She uses it first on her reflection in a mirror in order to clean one half of her brain and subsequently applies it to her whole body...

Part Time Heroes

Mara Mattuschka, Chris Haring

Stephanie Cumming, Johnny Schoofs

In the experimental short film PART TIME HEROES film artists Mara Mattuschka and Chris Haring stage a ballet of vanities with retro flair. The search for fame elevator goes up and down and egos bust and boom. Each character is isolated in an anachronistic, film-star dressing room, left alone, subjected to sinister fittings. The golden room with the greatest striptease talent who constantly undresses yet is never naked... The film checks these beings, isolated through their hero competition, into the lonely heart hotel where they eavesdrop on one another through thin walls.

Kugelkopf: Ode an IBM

Mara Mattuschka

Mara Mattuschka

Hands vigorously pull scraps of paper from an antiquated printing press, while their owner remains invisible. Then Mimi Minus and a razor blade - the incident is still shocking. The shrouded head, wrapped in muslin, reappears, and black paint is daubed over the top ... no image retains its integrity, for each is crossed through, painted, double-exposed, spilt, soiled.

S.O.S. Extraterrestria

Mara Mattuschka

Mara Mattuschka

The world as a plaything for a giantess from outer space. A Godzilla-imitation on the way to herself: the giantess from outer space in the streets of a big city, fooling around, producing destruction, copulating with the Eiffel Tower. An orchestra of big feelings, the melodrama, defamed in infantile sounds and absurd costume, in make-up-persiflage and grotesque body-art-performances.

Running Sushi

Mara Mattuschka, Chris Haring

Stephanie Cumming, Johnny Schoofs

We enter a constructed setting, against the background of a video wall that suggests we are in a restaurant. A Japanese restaurant, as can be concluded from the conveyor belt which forms part of the fittings. Running Sushi consists of a casual conversation between Steffi and Johnny in a sushi restaurant, while the parallel world of thoughts and sensations of both characters takes the stage. Each new dish has major consequences in the grotesque dream reality.

Kaiser Schnitt

Mara Mattuschka

Mara Mattuschka

The birth of the alphabet.

Der Schöne, die Biest

Mara Mattuschka

Mara Mattuschka, Max Minus

Autobiographical notes about bringing up children. A birth, the bite in the umbilical cord, a baby between sheets of music. Mimi fiddles educationally on a violin without strings, offers her breast and enjoys the little king with an improvised hysterical performance, and suddenly starts with Dadaistic oracles, letting the blead dance and carrying the child out into big wide world.

Es hat mich sehr gefreut

Mara Mattuschka

Mara Mattuschka

And our old Emperor said: "Thank you, it’s been very nice, it was a pleasure!" (M. M.)

Burning Palace

Mara Mattuschka, Chris Haring

Stephanie Cumming, Luke Baio

Five people who are in a show at a bar, who live in this hotel and have very different relationships with one another. After the show – they are already sleeping – they are woken by Pan for the night and therefore wake up to the destruction that is held within them.

Pascal - Gödel

Mara Mattuschka

Mara Mattuschka

Mimi Minus spreads out a paper with a chequered pattern and drinks repeatedly from a bottle containing and dark liquid which is never emptied. The chequered paper is successively covered in chaotic painting until, finally, it is rolled out of the way. Underneath is a fresh chequered paper. With very intensive cutting, the film is composed of infinitely varied primary contradictions - black versus white, circle versus square, order versus chaos.

Perfect Garden

Mara Mattuschka, Chris Haring

Stephanie Cumming, Anna Nowak

In an occupied establishment - a kind of self-defined sub-cosmos of reality - there is a sensual search for lust and fulfillment taking place. Women and men dance, desire, interact; their perfectly choreographed body game becomes a symbiotic extension of an excessively hedonistic sub- conscious. Amidst it all: a mafia boss seeks to take control of the establishment and finds the meaning of life in the process. Perfect Garden is a fabulously hypnotic film, utopian and realistic all at once

ID

Mara Mattuschka

Mara Mattuschka

Mimi Minus on the escalator of horror. Mara Mattuschka´s alter ego once again sets off on a tour de force of physical renunciation. First she goes into a tumble when the ground is pulled out from under her feet. Caught in a weightless space, she undergoes a strange metamorphosis. Mimi´s body is subjected to unnatural forces and gradually deforms, her skin ruptures and - as if the human shell were only an intermediate stage in the process of evolution - is shed like a cocoon; a reptilian monster emerges.

Les Misérables

Mara Mattuschka

In this film, Mattuschka works exclusively with animation. The cheerful cartoon characters Mimi and Max have a bit of a childlike-bisexuality to them, even when the subject seems to be the desire for and the differences from the other sex: "Look at what I´ve got here," says Mimi when she lifts up her skirt, the reply she gets being, "Is that real...?".

Parasympathica

Mara Mattuschka

Mara Mattuschka

In Parasympathica the artist divides her body into two halves, one black and the other white, with everything held together by a crown she wears. This "split" figure rotates jerkily by means of single frame animation. As Mattuschka spins on her own axis in a movement resembling a butterfly, the contrasts between the two divisions of the autonomic nervous system, the sympathetic and the parasympathetic, are blurred.

Stimmen

Mara Mattuschka

Alexander E. Fennon, Julia Schranz

Opera countertenor Alex Gottfarb is not alone – his inner self is crowded. Some other personae live within him – shy Alexander, sexy Sandra, teenager Lex and a seven-year-old prodigy Xandi. Each one of them has different ideas of what life should look like and yet they are all extremely dependent on each other. With the help of Helene, who loves him, Alex succeeds to get in touch with his cohabitants. Cascades of turbulent events and tragicomic misunderstandings accompany Alex’ struggle for identity, love and freedom.