Irene Stefânia
2021
Garôta de Ipanema
Leon Hirszman
Márcia Rodrigues, Arduíno Colassanti
Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.
The Girl from Ipanema
Lance Maior
Sylvio Back
Reginaldo Faria, Regina Duarte
University student who works in a bank experiences a personal crisis: he is torn between his ambitions and the temptation to engage in the armed movement against the military dictatorship of the time, in Brazil. At the same time, his love life is also confusing: he is unable to choose between two girls: an apolitical rich one, whose main interest is her own sexual liberation; and a working girl with family problems.
Lance Maior
Fome de Amor
Nelson Pereira dos Santos
Arduíno Colassanti, Manfredo Colassanti
An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive
Hunger for Love
O Signo da Cidade
Carlos Alberto Riccelli
Bruna Lombardi, Malvino Salvador
Teca, a late-night radio show host, uses her astrological skills to help listeners who call in for advice. But her own life feels empty and lonely. One day she makes the acquaintance of her handsome new neighbour, Gil, only to find out he is married.
The Sign of the City
Damas do Prazer
Antonio Meliande
Irene Stefânia, Bárbara Fazio
In the underworld of "Boca do Lixo" in São Paulo, a heterogeneous group of prostitutes turns an alley into a meeting point where customers are attracted. They are women who sell themselves to men of all classes. Surrounded by drunks, addicts, bandits, drug dealers and pimps, together they form a gallery of characters put together by affliction and disappointment. Cora, an older woman who works to support her paralytic son. Beth, kind of a leader, who had to prostitute herself at an early age after leaving her small country town. Sônia, the most intelligent of the group, who lets herself be exploited by a ruffian. Brigite, daughter of factory workers. Vera, who just started in the profession. In addition to the drama of these women, there are many others who give themselves daily to customers who ignore their fate
Damas do Prazer
