David Kuebler
1947 (78 лет)Il Barbiere di Siviglia
Michael Hampe, Claus Viller
Gino Quilico, Cecilia Bartoli
Live performance from Schwetzinger Festspiele, 1988. What sets this IL BARBIERE DI SIVIGLIA apart from all others available is its elegant realism. None of its visuals are the least bit cartoonish or blatantly designed for comedy. Dr. Bartolo’s house is a stark, stern-looking structure of plastered brick with a comfortable yet plain, white-curtained interior, while the costumes are highly realistic 18th century garb in subdued colors. Yet despite its fairly austere appearance the production is delightful, thanks to its performers and staging. The stage business is lively, witty and free of excessive slapstick, and every singer brings his or her character to life, all offering rich, vibrant characterizations that strike a perfect balance between comedy and humanity.
Il Barbiere di Siviglia
Il signor Bruschino
Michael Hampe, Claus Viller
Alessandro Corbelli, David Kuebler
Il signor Bruschino is the last of the five one-act operas - farsa giocosa - in which the young Rossini first demonstrated his operatic genius. The stage is small and the beautifully elegant and this shining production by Michael Hampe, recorded in May 1989, provides one and a half hours of the entertaining story about "the son won in a game" as it is subtitled. The staging transfers to the screen perfectly and the cast of principals, led by Alessandro Corbelli, Alberto Rinaldi and Amelia Felle provide musical excellence together with the flexible Stuttgart Radio Symphony Orchestra under Gianluigi Gelmetti.
Il signor Bruschino
Lulu
Graham Vick, Humphrey Burton
Christine Schäfer, Kathryn Harries
Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.
Lulu
Wozzeck
Calixto Bieito
Franz Hawlata, Angela Denoke
Calixto Bieito's controversial but visually stunning production of Wozzeck is set in a grisly, chaotic, post-industrial maze, giving a contemporary edge to the disturbing and hair-raising intensity of Alban Berg's expressionistic masterpiece.
Wozzeck
Příhody lišky Bystroušky
André Engel
Elena Tsallagova, Jukka Rasilainen
In the forest, the animals and insects are playing and dancing. The Forester enters and lies down against a tree for a nap. A curious Vixen Cub inquisitively chases a frog right into the lap of the surprised forester who forcibly takes the vixen home as a pet. Time passes and we see the Vixen, now grown up into a young adult tied up in the forester's yard with the conservative old dachshund. Fed up with life in confinement, the vixen chews through her rope and runs off to freedom.
The Cunning Little Vixen
