Marco Spagnoli
2021
The Italian Jobs - Paramount Pictures e l'Italia
Marco Spagnoli
Adriano Giannini, Felice Laudadio
"The Italian Jobs: Paramount Pictures e l'Italia" tells the story of two men, two Italian-American executives, Pilade Levi and Luigi Luraschi, who came to Italy at the end of the Second World War to recreate the Italian film industry; their work went on to have a significant influence on cinema worldwide. The idea of producing European films financed by American funds, in fact, originated in Italy with Paramount Pictures. Masterpieces such as Nights of Cabiria, Romeo and Juliet and The Conformist, to name just a few, were created precisely thanks to the work of these two men. The exclusive testimonies of Gioia Levi and Tony Luraschi, the children of the two executives, describe how their fathers were not only businessmen but how their lives were dedicated entirely to cinema.
The Italian Jobs - Paramount Pictures e l'Italia
Walt Disney e l'Italia - Una storia d'amore
Marco Spagnoli
Serena Autieri, Carl Barks
No other country in the world has the same kind of affection and admiration toward Walt Disney and his art and characters as Italy. His movies are legendary and his stories belong to the collective imagination of generations of Italians who grew up with his world of dreams and hopes. This documentary explores this love story.
Walt Disney e l'Italia - Una storia d'amore
Cinecittà Babilonia
Marco Spagnoli
Vinicio Marchioni, Martina Querini
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
Cinecittà Babilonia: Sex, Drugs and Black Shirts
Fellini – Io sono un Clown
Marco Spagnoli
At the heart of Fellini's I am a Clown is the strange and wonderful story of Peter Goldfarb, the very young American producer who in 1967 convinced Federico Fellini, the greatest Italian director, to work for the first time for American television. A story that has remained little known for half a century and which today - for the first time - brings the man who convinced Fellini to make a sort of mockumentary Federico Fellini’s Notebook, perhaps the first in the history of Italian cinema , using a scheme that the great author born in Rimini would have later reused with other films such as Intervista, Prova d'Orchestra and Roma. A human and artistic journey that would then be repeated immediately after with The Clowns, destined to make Fellini a forerunner of modern television.
Fellini – Io sono un Clown
